Search Details

Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...which can be seen in such lines as "Proud parabolas upon the deep/Receding blue . . ." It is a pity that only one of his poems has been printed in an issue so barren of this kind of dynamic and beautiful writing. Joan Hyde's atmospheric "Night Picture" communicates through precise visual detail, but her other poem is less successful because it leaves sensuous impressions and starts trying to delve into the abstract...

Author: NO WRITER ATTRIBUTED | Title: Poetry Is Bright Spot in Latest Signature | 4/12/1948 | See Source »

Cocteau treats the story as the enchantment it is. A film of mystery falls over everything in the film--candelabras are gripped by arms that move, statues' eyes follow the characters people appear and disappear at will. Realism is never allowed to intrude anywhere. Instead a web of visual charms is spun about the tale...

Author: NO WRITER ATTRIBUTED | Title: Beauty and the Beast | 4/9/1948 | See Source »

...only short story, Howard Lindsay's "Breakbands," has the merits of extreme economy and good visual detail, but the author tries so hard to imitate bad Hemingway that his work becomes artificial and almost unbearable. The long, casually connected sentences and the nonsyllabie tough talk do not seem to suit the writer, though his talent is obvious. Besides this story, there is a kind of dialogue called "O The Dangers of Daily Living," which satirizes, not wholly successfully, cocktail party conversation. It also contains some symbolism, but the piece doesn't seem to be worth the trouble of unravelling...

Author: NO WRITER ATTRIBUTED | Title: Outstanding Story Redeems Spring Advocate | 4/9/1948 | See Source »

...best things about the screen production are the sets (by Vincent Korda), the costumes (by Cecil Beaton), and the exquisitely muted Technicolor. Most of the casting and acting are good too. The weakest things are the uneven reading of the lines, the lethargic pace, and the final visual essence of the picture...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 9, 1948 | 2/9/1948 | See Source »

Road to Rio (Paramount). The Crosby-Hope-Lamour "Road" pictures, in the opinion of plenty of enthusiastic cinemaddicts, can lead anywhere and go on forever. Their comedy is more verbal than visual, but any kind of slapstick-one of cinema's lost arts-is rare these days. Because they fill some of the void, these loose-jointed spoof pictures at least guarantee a lot of good laughs...

Author: /time Magazine | Title: The New Pictures, Jan. 26, 1948 | 1/26/1948 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next