Word: visual
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Dates: during 1960-1969
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...SHAME. Ingmar Bergman examines war and the artistic conscience in his 29th film. The visual imagery is brilliantly desolate, and the performances-by Max von Sydow, Gunnar Bjornstrand and Liv Ullman-are orchestrated with precision...
...ENGLAND Conservatory production was extremely successful musically, and somewhat less successful visually. The purpose of the production was to present the opera as a naturalistic drama. The mood of the vague kingdom of Allemonde is lugubrious, haunting, tenuous. Pelleas is pale and feeble, overcome by destiny; Melisande is fragile with elusive charm, silly yet ruled by fears; Golaud, the main character, is the visible agent of impulsive rages and unanswered atonement. The general atmosphere is one of sombre death and the expectation of death, illuminated only briefly by an abortive infatuation. The problem with scenic representation of Pelleas et Melisande...
TURN-ON (ABC, 8:30-9 p.m.). A computer hosts and Tim Conway guest stars in the premiere of a new series that promises to be "a visual-comedic assault on the people who watch it." Whether it also gets charged for battery remains to be seen...
...SHAME. Ingmar Bergman examines war and the artistic conscience in his 29th film. The visual imagery is brilliantly desolate, and the performances-by Max von Sydow, Gunnar Björnstrand and Liv Ullman-are perfectly orchestrated...
Good Reasons. In setting out to make a visual sighting of a pulsar, Astronomers John Cocke, Michael Disney and Donald Taylor defied the beliefs of more experienced astronomers who were certain that the strange objects would be too small and distant to be seen through terrestrial telescopes. Undaunted, they pointed the 36-in. telescope at Arizona's Steward Observatory toward a small star in the Crab nebula, the glowing, cloudlike remnant of a supernova (stellar explosion) that was first witnessed from earth...