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Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Wiley's visual puns are lampoons or deal with art alone. A square of latticed Masonite strips frames a ball wrapped in black electrician's tape from which dangles a tangled skein of white string. It bears a tag saying, "This piece was begun on April 4, 8 a.m. and completed April 4, 7 p.m.," because Wiley was making it on the day that Dr. Martin Luther King Jr. was shot. Recalls the artist: "I didn't think of the black and white as racial, but when I heard about King being shot, it suddenly seemed relevant...

Author: /time Magazine | Title: The Galleries: The New New Criticism | 5/31/1968 | See Source »

...ramp of the Visual Arts Center...

Author: NO WRITER ATTRIBUTED | Title: Ibis Answers | 5/31/1968 | See Source »

Since he became Assistant Dean in 1961, Trottenberg's activities have proliferated from the original control of the College's planning and development into many other administrative areas. One administrator credited Trottenberg last night with playing a large role in the development of visual and environmental studies at Harvard, and in improving research-project administration here...

Author: By James M. Fallows, | Title: Trottenberg Is Quitting to Take Ford Fund Post | 5/31/1968 | See Source »

...careful balancing of expansive exterior composition, he substituted that betenoir of camera technique, the zoom lens, with its infinite capacity for making an audience think suspense is present when none actually exists. In The Heroes of Telemark, some corny zoom technique was at least in part redeemed by controlled visual construction and a sensible linear narrative. Perhaps A Dandy In Aspic could have similarly transcended its endless zooms to close-ups of anguished eyeballs and urban details; unfortunately, director Mann died three weeks before shooting was completed and star Laurence Harvey finished the film, presumably supervising the editing. What remains...

Author: By Tim Hunter, | Title: A Dandy In Aspic, Madigan, and The Champagne Murders | 5/24/1968 | See Source »

...camera on the actors as long as possible, often following them in medium close shot over long distances, thereby establishing character detail rare in a short police thriller. Note, for example, the affection Commissioner Russell (Henry Fonda) plainly has for the freckles on his mistress' shoulder, or the visual relationship between Detective Madigan (Widmark) and his partner toward their car and New York City...

Author: By Tim Hunter, | Title: A Dandy In Aspic, Madigan, and The Champagne Murders | 5/24/1968 | See Source »

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