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Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...audacity of visual technique fits perfectly with the straight-forwardness of the narrative style. The unflinching sincerity of director and writer (Sidney Howard, with assisst from Ben Hecht and Scott Fitzgerald) transcends Margaret Mitchell's soap opera, giving Gone With the Wind the truly epic quality of the best films of John Ford. At the very least, it depicts the passage of time better than any other picture I've seen; we share with the characters the memory of scenes as if they had occurred 15 years before. Our sense of history is reinforced by the obvious visual deterioration from...

Author: By Stephen Kaplan, | Title: Gone With The Wind | 12/6/1967 | See Source »

...special committee of the Graduate School of Design will soon ask the Committee on Educational Policy to reorganize visual education at Harvard...

Author: NO WRITER ATTRIBUTED | Title: School of Design Urges Revision Of Arch Sci Dept. | 12/1/1967 | See Source »

...Department of Architectural Sciences and the Visual Studies program may be combined into a new Department of Visual and Environmental Studies if the CEP follows recommendations which are now being prepared by the Design School's Committee on Architectural Sciences...

Author: NO WRITER ATTRIBUTED | Title: School of Design Urges Revision Of Arch Sci Dept. | 12/1/1967 | See Source »

...popular Vis Stud 140); Robert G. Gardner '48, presently making movies in Africa, is the director of the Film Study Center in the Peabody Museum of Archaeology and Ethnology; Derek Lamb is a lecture on Light and Communication at the VAC; and Eric Martin '58 is a lecturer on Visual Studies. Freeman himself as an assistint professor of Design...

Author: NO WRITER ATTRIBUTED | Title: The architects of Cambridge | 12/1/1967 | See Source »

...Carpenter Center for the Visual Arts (left) is Le Corbusier's only building on this continent and Harvard's most exciting one. You can walk under and through the VAC three different ways without even getting inside. The only entrance is hidden from the street, under an overhang, and near the building's geometric center. Its combination of curved and planar surface screate a kind of dynamic visual movement few buildings have. Its axis is on a diagonal from Quincy St.; but the exterior has no "sides...

Author: NO WRITER ATTRIBUTED | Title: VAC | 12/1/1967 | See Source »

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