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Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Whatever the intent, the result is an aimless bust, unencumbered by a visual or structural scheme. It wanders through a series of tony boîtes, boutiques and hotel lobbies in the vagrant hope of witnessing a privileged moment. Those are likely to occur only when Hepburn is onscreen. At 52, the eternal gamine has become a figure of icy chic; the lilt in her voice now has the gravity of years; she has barely a line to speak in the film's first hour, and too many silly words in the second. But she is still a radiant...

Author: /time Magazine | Title: Cinema: Aimless Bust | 11/23/1981 | See Source »

...work with: Few other Harvard theatres offer the same staggered sight-lines or sense of openness and height. The technical capabilities add to the impact: The microphones (a godsend to this production in which some of the unaided voices do not reach the second row) and the overhead visual screen (although absurdly overused here) both create possibilities with which another show might experiment. It's encouraging to see the Institute used more like the original Roman forums, arenas for a community's expression in whatever form...

Author: By John KENT Walker, | Title: Snippets of Hair | 11/19/1981 | See Source »

...April, Harvard University Press will bring out the fifth book of the Film Studies Series--Hitchcock: The Murderous Gaze, by William D. Rothman, associate professor of Visual and Environmental Studies...

Author: By Michael W. Miller, | Title: Filmic Philosophy and New Gamesman | 11/12/1981 | See Source »

What survives in this aberration of a film is the background. Shot on location in New Mexico, Mexico, London, and Italy, Priest of Love is a visual Beadeker. Miles has clearly made an carnest effort at accurate visual realism. It is a great pity he could not do the same for the animate elements of Priest of Love...

Author: By Laura K. Jereski, | Title: Crying in the Night | 10/30/1981 | See Source »

...nurture these connection between the eye and visual cortex properly," if they are not used within a "critical period after birth, they will be lost," Wiesel says...

Author: By Charles D. Bloche, | Title: Why They Won Nobel Prizes | 10/29/1981 | See Source »

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