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Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...boxes of tapes will require several months of editing, according to Ellen J. Miller, director of Law School audio-visual affairs. Once edited, they will be used for studying various aspects of trial procedure, such as delivering closing statements and questioning witnesses...

Author: By Robert F. Cunha jr., | Title: Gang Rape Trial Tapes Donated to Law School | 2/4/1985 | See Source »

Louis J. Bakanowsky, stadio professor of visual and environmental studies, reportedly has already run a lottery for his Literature and Arts B-17. "The Studio Arts, Theoretical and Practical Explorations...

Author: By Jennifer L. Mnookin, | Title: Three Core Classes Hold Lotteries | 2/4/1985 | See Source »

...this time. Blood Simple (the title comes from Dashiell Hammett) works terse, elegant variations on a theme as old as the Fall; it subverts the film noir genre in order to revitalize it; it offers the satisfactions and surprises of a conniving visual style. Most important, it displays the whirligig wit of two young men--Joel Coen, 30, a graduate of New York University film school, and his brother Ethan, 27--in a debut film as scarifyingly assured as any since Orson Welles was just this wide...

Author: /time Magazine | Title: Cinema: Same Old Song Blood Simple | 1/28/1985 | See Source »

Blood Simple has plenty of flash--the sort of cinema virtuosity that can be overpraised precisely because it is so difficult to describe. Just as easily, the movie can be underrated as a film-school exercise, with visual strategies reminiscent of both Terrence Malick and Sergio Leone, and a grisly climax that borrows from Psycho and Ministry of Fear. But Blood Simple infiltrates the central nervous system even as it opens the cultist's sharp eye. Watch this film, and these film makers, closely. Neither will disappoint...

Author: /time Magazine | Title: Cinema: Same Old Song Blood Simple | 1/28/1985 | See Source »

...Alan Bennett's script, Schlesinger painted a wry, rueful portrait of the British spy--Guy Burgess, retired to Moscow--as a displaced person, isolated from his best friends and instincts. Chris Boyce (Timothy Hutton) feels isolated too, trapped in America; but here Schlesinger dares not flirt with political or visual subtlety. Everyone is an oaf but our lad. Mom (Joyce Van Patten) is dithery, and Dad (Pat Hingle) scares the falcon, and Chris' girlfriend (Lori Singer) is one big vacant California erogenous zone. His treason is pinned on mid-America, not so much for the evil of its ways...

Author: /time Magazine | Title: Cinema: The Hardy Boys Turn Traitor the Falcon and the Snowman | 1/28/1985 | See Source »

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