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Word: visual (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Harvard Film Archives at the Carpenter Center for the Visual Arts...

Author: By G. WILLIAM Winborn, | Title: Cinema Scope | 7/8/1994 | See Source »

...Visual Culture: Introduction to the Historical Study of Art and Architecture" will be the closest Harvard comes to an introductory arts history class...

Author: By Todd F. Braunstein, | Title: New Year, New Cores, New Profs | 7/8/1994 | See Source »

Today, however, both these visual keynotes have been replaced by the chaos of capitalism's dikaya zhizn, or "wild life": weather-beaten babushkas who beg from filthy sidewalks, marauding bands of gypsy children, Lycra-skirted strumpets cavorting with Western businessmen, bankers tooling around town in armor-plated Mercedes, mafia moguls in sharkskin suits who dine on Maine lobster with a $238-a-bottle champagne in five-star hotels. A sense of bewilderment plagues Moscow's residents as they attempt to sort out the conflicting claims of their half-remembered, precommunist culture from the hedonistic and corrupting pull of the West...

Author: /time Magazine | Title: Moscow: City On Edge | 7/4/1994 | See Source »

...addition, the wonderfully stimulating filming techniques which Kieslowski employed in "Blue" disappear here. He is more interested in the story than on overindulging this reviewer's taste for the visual...

Author: By G. WILLIAM Winborn, | Title: Love That Revenge in Kieslowski's White | 7/1/1994 | See Source »

This does not mean that Kieslowski does not use his visual talent. He steps into Karol's memory on occasion, replaying his reel-to-reel vision of walking from the marriage altar and stepping into the sun with Dominique. Her kiss always ends this sequence of hazy golden light and crinolin...

Author: By G. WILLIAM Winborn, | Title: Love That Revenge in Kieslowski's White | 7/1/1994 | See Source »

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