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...Marimekko bridges the divide between the utilitarian and the fantastical. One area where fantasy is pivotal is in the retail world, specifically in window display. Nobody designs more magical windows, in my opinion, than New York City's Bergdorf Goodman, where creative director Linda Fargo and her team of visual experts draw on such disparate sources of inspiration as the ho-hum Post-it note and the over-the-top interiors of Tony Duquette. In this special supplement to Time, we identify what we call the Design 100, the people and ideas behind today's most influential design...

Author: /time Magazine | Title: Windows on Design | 4/9/2008 | See Source »

...staging the play (in the third week) we had already almost memorized all the lines after two weeks reading out loud.THC: What was it like working with the director? How did you feel about the unusual style and mood of the production?JTF: [Director Arthur Nauzyciel] is excellent. His visual sense is really sophisticated, and he loves actors and cares deeply about the performance. In a way, he tries to make his productions both shocking and beautiful. He explained many of his ideas for the production at our first meeting. He had a lot of imaginative associations and instinctual reasons...

Author: By Alec E Jones, CONTRIBUTING WRITER | Title: 'Wire' Actor Talks T.V. | 4/8/2008 | See Source »

...open to everyone, and anyone can access it,” she said. According to Koenigs, creating a broad-based video-sharing Web site has been a goal of HRTV for some time. The group hopes CrimsonClips will both expand HRTV’s scope and help archive visual arts performances and events at Harvard. “We want to capture the Harvard experience; we’re losing so many great events,” he said. “The curtain goes down, and you never see them again. But if they’re filmed...

Author: By Bram A. Strochlic, CONTRIBUTING WRITER | Title: Will Video Kill the College Newspaper? | 4/7/2008 | See Source »

...eagle's profile, the imperious arch of his eyebrows, the hard, bitter curve of his lips, the stupendous strength of his torso - this is what he has been given, and what not even the worst of directors can debase... Through him, mise en scne [a film's visual strategy] can confront the most intense of conflicts and settle them with the contempt of a god imprisoned, quivering with muted rage...

Author: /time Magazine | Title: Appreciation: Charlton Heston | 4/6/2008 | See Source »

...Garrett G. D. Nelson ’09 is a social studies and visual and environmental studies concentrator in Cabot House. His column appears on alternate Fridays...

Author: By Garrett G.D. Nelson | Title: Clinging to Utopia | 4/4/2008 | See Source »

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