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That sort of thing makes me wonder whether the critics are actually sitting in the same theater I am. In fact, the show is notably lacking in sparkles, and garish is just about the last word I would use to describe the subtle and airy visual design. A gorgeous color palette of pastel blues, oranges and pinks. Translucent, lighter-than-air panels, billowing plastic waves, scepter-like deep-sea sculptures, which manage to convey not just one undersea world but a host of neighborhoods within that world. Costumes that manage to be both lush and witty - the exaggerated, bunched-crinoline...

Author: /time Magazine | Title: The Little Mermaid: In Defense of Disney | 1/16/2008 | See Source »

...Little Mermaid is more than just a visual feast. In fact, I think it comes closer than any Disney show since The Lion King to combining story, song and inventive staging into something that lifts our spirits and renews our faith that theater for "children" can be enjoyed by everyone. Acclaimed opera director Francesca Zambello, doing her first Broadway show, can't match Julie Taymor's innovative staging in The Lion King (but then, who can - not even Taymor since then), but she has the same inventive, less-is-more, determinedly theatrical approach. Instead of wires and pulleys or complicated...

Author: /time Magazine | Title: The Little Mermaid: In Defense of Disney | 1/16/2008 | See Source »

...monster mash, on 9/11. So there's no way you can watch downtown panic and crumbling towers without it seeming a bit... familiar. Naturally the director says, he didn't want to diminish or exploit the residue of grief from 9/11. And, as the press notes inform us, "The visual effects teams even took care that the collapsing buildings in the film were older-looking structures that did not evoke the style of the structures that were attacked six years earlier." You're right, visual effects team. It doesn't bother a New Yorker to see a gorgeous landmark like...

Author: /time Magazine | Title: Corliss on Cloverfield: The Blair Witch Reject | 1/16/2008 | See Source »

...emeritus director of the Kinsey Institute in Bloomington, Ind., a place where they know a thing or two about the way human beings pair up. But that limited understanding is expanding. The more scientists look, the more they're able to tease romance apart into its individual strands-the visual, auditory, olfactory, tactile, neurochemical processes that make it possible. None of those things may be necessary for simple procreation, but all of them appear essential for something larger. What that something is-and how we achieve it- is only now coming clear...

Author: /time Magazine | Title: Why We Love | 1/16/2008 | See Source »

...important proposals. The Faculty’s decision to play hooky reflects a laziness and complacency that must change. Matters that were scheduled to be discussed at the meeting included reform of course evaluations so that evaluations and the creation of a film studies Ph.D. under the Department of Visual and Environmental Studies. While it is true that these reforms are not urgent, delaying the discussion further is likely to push other topics further down the agenda. Indeed, these issues were to be discussed at the December meeting, which was instead dominated by a largely unproductive discussion about a motion...

Author: By The Crimson Staff | Title: Meeting? Nah… | 1/14/2008 | See Source »

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