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...Frommer, the costs were kept low. “The paint was not that expensive,” said Frommer. “The labor would have been the worst [expense], but I did it myself.” The changes in the Grille will not just be visual. The menu is also changing in an effort to appeal to the palates of hungry Eliot residents, according to Samia S. Farooqi ’07, one of the Grille’s managers. “We’re trying to attract a wider audience by having healthier options...

Author: By Kyle A. Magida, CONTRIBUTING WRITER | Title: Eliot Grille Gets Makeover | 12/1/2005 | See Source »

Jonathan C. Bardin ’06, a Crimson photography editor, is a visual and environmental studies concentrator in Currier House. He is chair of the Currier House Committee...

Author: By Jonathan C. Bardin | Title: Leaving Pomp, Reviving Program | 12/1/2005 | See Source »

...della Spiga, the mood is frantic, with shoppers young and old slapping down credit cards for the label's signature $2,900 pin-striped pantsuits and $3,500 fur-trimmed coats. It seems there are not enough salespeople to handle the traffic, so Alberto Addis, the store's visual merchandiser, is lending a hand, greeting two women who have wandered past the acres of shiny black-glass walls and Murano-glass chandeliers into the leopard-print VIP room. They're in search of a $23,200 shimmering Swarovski crystal?covered dress that's been photographed in all the fashion magazines...

Author: /time Magazine | Title: Living la Vita Dolce & Gabbana | 11/29/2005 | See Source »

...When I started doing research, I felt this was a lost continent. Comics are one of the most important forms of artistic expression in America, and they were never given proper attention." To focus that attention, Carlin and fellow curator Brian Walker selected 15 artists who created their own visual languages and did so with distinctive graphic grace and power...

Author: /time Magazine | Title: Peanuts in the Gallery | 11/28/2005 | See Source »

Derek Lamb, an Academy Award-winning animated film producer and one of Harvard’s first lecturers on film animation, died this month in Poulsbo, Wash. of cancer. He was 69. Lamb came to Harvard’s Carpenter Center for the Visual Arts in 1964 after Robert G. Gardner ’48—who was then the coordinator for the Light and Communications workshops—saw Lamb’s animated short “The Great Toy Robbery.” “I was really rolling in the aisles...

Author: By Patrick R. Chesnut, CONTRIBUTING WRITER | Title: Animator Lamb Dies at 69 | 11/23/2005 | See Source »

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