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Curated by art history concentrator and Mather resident Sarah R. Lehrer-Graiwer ’05, the exhibit was organized on behalf of the Harvard Advocate, the campus literary and visual arts magazine, for which Lehrer-Graiwer serves as the Art Pegasus...

Author: By Jayme J. Herschkopf, | Title: Mather’s Three | 3/19/2004 | See Source »

Curated by art history concentrator and Mather resident Sarah R. Lehrer-Graiwer ’05, the exhibit was organized on behalf of the Harvard Advocate, the campus literary and visual arts magazine, for which Lehrer-Graiwer serves as the Art Pegasus...

Author: By Jayme J. Herschkopf, CRIMSON STAFF WRITER | Title: Mather’s Three Columns Exhibit Awes and Delights | 3/19/2004 | See Source »

...technology so that the camera’s perspective continues to roll as if it were an actual rolling stone. In the White Stripes’ “Fell in Love with a Girl,” Jack and Meg White are rendered as music-making Legos, a visual touch that is compelling in its own right, yet also accentuates the music. In a similar way, the casting of Eternal is creative, but accentuates the writing and directing. Jim Carrey is actually quiet for significant pieces of the role: he underplays, giving Joel a quiet dignity that makes...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Review: Eternal Sunshine of the Spotless Mind | 3/19/2004 | See Source »

...office and machines seem low-key and delightfully sketchy enough to be run by The Simpson’s Dr. Nick. However, this location makes it possible for them to engage in their necessarily secretive and presumably illegal procedures. How does Joel run through his memories? Gondry portrays with visual innovation the rather trite idea that love can override all boundaries...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Review: Eternal Sunshine of the Spotless Mind | 3/19/2004 | See Source »

Much of the show relies on the murky visual ambience created by the production’s lighting and set designers, a difficult task given the limited rehearsal time afforded on the actual Ex stage. After rehearsing in various spaces for a month, the players are only given three days to pull all of the diverse elements of the production together...

Author: By Michelle Chun and Ben B. Chung, CRIMSON STAFF WRITERS | Title: Spring Season at the Loeb | 3/19/2004 | See Source »

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