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Garrett G.D. Nelson ’09, a Crimson editorial writer, is a social studies and visual and environmental studies concentrator in Cabot House...
...this removal did not sit well in the stomachs of some students and parents. Concerned that the lack of information could fuel unhealthy eating habits, they requested that dining hall managers reinstitute the nutritional labels. In a pressure cooker from health-conscious parents and students and individuals concerned that visual reminders could cue body image concerns and eating disorders, HUDS representatives said they’re trying to strike a balance between both sides. On the table are two proposals, to be implemented in March. The first would provide less numerically detailed information about an item’s nutritional...
...Visual and theater performance artist William Pope.L is best known for his interventionist public art, including the 2005 installation-on-wheels project, “The Black Factory.” Recently commissioned by the Carpenter Center of Visual Arts to create an installation that incorporates the building, the only North American structure designed by architect Le Corbusier, Pope.L has created a performance piece and exhibition in the Carpenter Center. The Crimson sat down with Pope.L to discuss his thoughts on masculinity, the role of arts in a liberal arts education, and “Corbu Pops...
...inject a contemporary feel into the high-profile space and to increase the visibility of student art at Harvard, University President Drew G. Faust welcomed the work of student artists to Mass Hall on February 5. The exhibition, which features the creations of 22 students in the Department of Visual and Environmental Studies, showcases the artistic diversity of Harvard’s undergraduate population. “We wanted to give a sense of the range of approaches that students in the VES Department take to art,” says Virginia Anderson, assistant curator of American...
...images on the walls of the bottom floor remain placid and vibrant. “Sufism: Mystical Ecumenism,” the exhibition of photographs by Iason Athanasiadis currently on display at CGIS South, includes pieces from Iran, Pakistan, Syria and Turkey. “The exhibit is a visual journey through Bilad ash-Sham, Khorassan, and the Punjab,” says the Harvard Gazette, “chronicling the movement and rhythm of zikr, the ecstatic ceremony practiced by Sufi orders around the Muslim world.”Through the use of photography, Athanasiadis, a photojournalist and former...