Word: visuality
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...light. Two papers released this week by the journal Science describe what seem to be the first lab-induced out-of-body experiences in healthy people. Using goggles hooked up to video cameras, and sticks to poke and stroke, researchers subjected study participants to a variety of visual and physical cues to confuse their brain about their body's location. Sound a bit impractical? Consider, then, how the studies relate to humankind's most enduring question: what makes us ourselves in the first place? "I'm not really interested in out-of-body experiences," says Henrik Ehrsson...
...once again - left a deep divot in the ship's insulating tiles. It was foam damage that killed the shuttle Columbia in February 2003, when superheated gases generated during reentry entered the ship through a breach in the insulation. Ever since then, astronauts have given their spacecraft a close visual inspection upon reaching orbit to look for any troublesome chips. On Sunday, a 3D laser imager attached to Endeavour's robotic arm revealed what could be a nasty...
...pleasure to report that the new Rush Hour is... OK. Brett Ratner, who directed the first two episodes (as well as the third X-Men and the Hannibal Lecter movie Red Dragon), isn't out to win an Oscar here; the movie is as lacking in visual elegance as it is in pretension. Its first reel or two sets a fairly low bar for the viewer, so that when it perks up it exceeds expectations. The division of labor is the same as in the first two films: Jackie kicks ass; Chris kicks sass. Ratner's challenge, and that...
...Most actors did an Antonioni film as a solemn duty, not for the laughs. A sworn enemy of bombast, visual or behavioral, he made his performers reveal more with less. This was particularly tough on his compatriots. Italian actors, and Italians in general, speak with their bodies; each conversation is a performance using the most lavish and vigorous hand gestures. Antonioni stripped them of these flourishes - he either refined the natural tendencies of these actors or he straitjacketed them...
...houses. ... I changed a small part of London to make it more London than London." Under his brush, the grass was greener, the phone booths a more violent red. (Redgrave was given auburn hair.) The intent this time was not political. It was to show the power that a visual artist has over reality - and the limits of that power...