Search Details

Word: visuality (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Jarrett T. Barrios ’90, president of the Gay & Lesbian Alliance Against Defamation, criticized what he regarded as pervasive homophobia in a lecture yesterday at the Carpenter Center for the Visual Arts...

Author: By Gautam S. Kumar, CONTRIBUTING WRITER | Title: Barrios Speaks on Anti-Homophobia Activism | 12/4/2009 | See Source »

...part of campus commemoration of World AIDS Day yesterday, Philip L. Yenawine—the co-founder of Visual Understanding in Education, an art education initiative—spoke about artistic responses to the AIDS epidemic at the Arthur M. Sackler Museum...

Author: By BETH E. BRAITERMAN, CONTRIBUTING WRITER | Title: AIDS Epidemic Given Visual Form | 12/2/2009 | See Source »

...lecture, entitled “Seeing AIDS,” was given in conjunction with a Carpenter Center for the Visual Arts exhibit called “ACT UP New York: Activism, Art, and the AIDS Crisis, 1987-1993.” The exhibit, which has been on display since mid-October, showcases posters, stickers, and other visual media that were used in the political discourse about AIDS during that period...

Author: By BETH E. BRAITERMAN, CONTRIBUTING WRITER | Title: AIDS Epidemic Given Visual Form | 12/2/2009 | See Source »

...collegiate sphere, there do seem to be idealized forms for professors. Lecture is heavily visual: Students sit and observe, as an audience. Otherwise, we could all listen to recordings in our rooms. Practically speaking, a professor’s image can enhance—or erode—the individual academic experience. Stereotypes of intellectuals range from the mad scientist to the bearded philosopher. In “A Beautiful Mind,” John Nash is the absent-minded eccentric, focused on game theory rather than his wrinkled clothes. And who but the venerable, bespectacled Dumbledore could have watched...

Author: By Diana McKeage | Title: Aesthetics and Academics | 12/1/2009 | See Source »

...narrative conventions, at least to the extent that big-budget Oscar bait can afford to do so, “The Road” maintains enough of the book’s central story to keep its audience enthralled while splitting its real attentions equally between creating a stunning visual spectacle and meditating on the book’s broader themes of love, redemption, and the human capacity for self-destruction...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

Previous | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | Next