Word: visualization
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Dates: during 1980-1989
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...laughs in this movie, and there are many, stem from its broad, broad comedic style combined with some of the most irreverent camera work since the Coen brothers' farcical Raising Arizona. DeVito has enough smarts to realize that the unlikely plot machinations of Momma call for unconventional visual tricks and he also has enough imagination to pull them off. The camera swoops and pans at dramatic moments and will pull right up to an actor's face for a gag line. When Donner collapses on the floor after a particularly exhausting encounter with Momma, the camera spirals slowly upwards...
...that the students could then go on to convert the negative aspect of this experience into a positive and productive understanding of the whole. They would then be able to reinforce this positive understanding with a sense of wonder and imagination when creating a statement in sculpture. Ritsuko Taho Visual and Environmental Studies Department
...past is another country, and nowhere more visibly so than here. One needs to remember how bare of images medieval life was -- how utterly unlike the image-haze of competing visual messages, from billboards to print ads to TV, in which we live today. A man in Chicago sees more images in a day than his 14th century ancestor in York saw in 20 years. In medieval England the painted or carved image was the blazing exception to nature...
...psalters, hymnals and apocalypses gathered here attest to the sturdiness and independence of English artists' imaginations. They are a perfect visual equivalent to Chaucer, who installed English as a literary language in 1387 with The Canterbury Tales. The East Anglian manuscript style especially, in its whimsicality and odd narratives, its overflowing, obsessive love of natural forms -- leaves, flowers, birds, animals, combining and recombining -- is quite unlike the traditional formalities of French Gothic painting. It is both more earthy and more fantasticated. Some of it looks forward to the nature worship of the Romantics, centuries later. Some predicts writers like Edward...
CINDY SHERMAN, 33, belongs to a new American avant-grade which emphasizes content, narrative and ideas while exploring the effect of the visual image on the self and on culture. Sherman herself has attracted international attention for her provocative and grotesque photographs, most of which she appears in. Yet Sherman's photographs, which will be on display at the Institute of Contemporary Art (ICA) through January 17, cannot be called self-portraits, for the artist uses make-up, costumes and wigs to create different characters, different personae in each piece...