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...also exalted the theatrical element over the musical. It happens that the Jonases write most of their own songs, which on first listen did not make me eager for a second. But the basic impact is visual: they're meant to be simultaneously cheerful and lubricious, to fulfill their fans' childlike idolatry and blooming sexual awareness. That's how the brothers' antiseptic image, and the movie's G rating, can coexist with the Jaggeresque poses and wind sprints of the one in the center, Joe Jonas...

Author: /time Magazine | Title: The Jonas Brothers Movie Review: Kids vs. Critic | 3/1/2009 | See Source »

...wake of September 11.Consciousness does not, apparently, conflate preparedness. More and more, it appears that these nine-to-five artistes are just as without direction in this crisis as the rest of the world. Their bread crusts and beret counterparts–that is, the unsigned musicians and freelance visual artists–should be less affected by the crisis, given their relative removal from financial systems. To boot, rents are plummeting in major cities across the country, as is the cost of living. This is something to be excited about.Yes, you read correctly. While it?...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Economy Collapses, Artists Start Revolution | 2/27/2009 | See Source »

...strains himself for a decent rhyme scheme; the best that the lethargic “Heartbreak” can conjure is, “Bad enough that I showed up late / I had to leave before they even cut the cake / Welcome to heartbreak.” The trippy visual concept is admittedly cool, except, well, it was also cool two years ago when the kitschy electronic-pop group Chairlift did the same thing in their video for “Evident Utensils.” Although Kanye has successfully sampled artists ranging from Ray Charles to Daft Punk...

Author: By Arhana Chattopadhyay, CRIMSON STAFF WRITER | Title: POPSCREEN: Kanye West | 2/27/2009 | See Source »

...scene he called “King of the Jungle.” “This aspect of the show left me wondering what was elegant or even alluring about this atavistic display of primitivism. Would such a performance be possible apart from the history and visual discourse of colonialism that gives it a certain currency?” Former scene director Nicholas J. Navarro ’10 did not expect nor intend to incite the negative responses that the scene provoked. Instead of a racially charged image of black male sexuality, he envisioned the segment...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Posing a Problem | 2/27/2009 | See Source »

...zanne's many views of Mont Sainte-Victoire inform the muscular Maine landscapes of the American painter Marsden Hartley. The enduring reach of Czanne can even be felt in Ellsworth Kelly's Lake II, a color-field wall panel from 2002 that distills and abstracts the visual experience of water, just as the old Frenchman distilled the forms of nature...

Author: /time Magazine | Title: The Master of Us All | 2/26/2009 | See Source »

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