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Word: visualize (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...BUNCH. The place is the Tex-Mex border, around the turn of the century, where a group of freebooting bandits try to scrounge a living out of a life that is fast becoming obsolete. Director Sam Peckinpah explores this violent world with hard-edged poetry and a sense of visual splendor that establishes him as one of the best American film makers...

Author: /time Magazine | Title: Television: Oct. 17, 1969 | 10/17/1969 | See Source »

...Sitting Room, which is funnier and more tightly controlled, makes How I Won look like a warm-up exercise. There has been no director of such prodigious comic invention since the halcyon days of Preston Sturges. Lester throws off sight gags and visual puns like some pyrotechnical pinwheel and molds character actors (Richardson, Roy Kinnear, the superb Michael Hordern) into a virtuoso stock company. But he also knows the value of good writing, and Charles Wood's script is a model of subdued rage and satiric precision. "I always used to say 'For Christ's sakes, drop...

Author: /time Magazine | Title: New Movies: The Shortest War in History | 10/17/1969 | See Source »

...first in a series of five free Arts Orientation programs will be presented by Alfred Guzzetti '64, professor of Visual Studies, at the Graduate School of Education, at 8:30 p.m. Monday in Longfellow...

Author: NO WRITER ATTRIBUTED | Title: Art Program Monday | 10/17/1969 | See Source »

SelectaVision (SV) is designed to convert any standard TV set into a home movie projector and screen. When perfected, the SV converter will be able to play movies, operas, lessons-or even deliver an audio-visual TV magazine. RCA hopes to begin marketing the first SV adapters in 1972 for a retail price of "under $400." Six-inch cartridges, providing a half-hour of color programming, would initially cost about $10 apiece but could be rented for far less...

Author: /time Magazine | Title: Technology: And Now SelectaVision | 10/10/1969 | See Source »

...shimmering light of a Swedish summer and seem idyllic, almost unworldly; but Widerberg handles the chaotic confrontation scene between workers and army troopers with a precise sense of brutality that proves that he is not entirely a romantic. The very gentleness and simplicity of much of the visual imagery-the names of Renoir and Monet are constantly and rightly invoked in the dialogue-acts as counterpoint to the violence even as they deepen the sense of a past gone forever. There is a certain sentimentality involved in this kind of approach that prevents Adalen '31 from being the kind...

Author: /time Magazine | Title: Festivals: Modest Fame | 10/10/1969 | See Source »

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