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Word: visualize (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...problem is that although art has always been a commodity, it loses its inherent value when it is treated only as such. To lock it into a market circus is to lock people out of contemplating it. This inexorable process tends to collapse the nuances of meaning and visual experience under the brute weight of price. It is not a compliment to the work. If there were only one copy of each book in the world, fought over by multimillionaires and investment trusts, what would happen to one's sense of literature -- the tissue of its meanings that sustain...

Author: /time Magazine | Title: Sold! The Art Market: Goes Crazy | 11/27/1989 | See Source »

...shifting old power bases. In a market it no longer controls, America sells more than it buys, the art world turns into the Art Industry, and liquidity is all. The result is that people are being deprived of access to their cultural heritage, and the richness of visual experience is collapsing under the brute weight of price...

Author: /time Magazine | Title: Time Magazine Contents Page Vol.134, No. 22 NOVEMBER 27, 1989 | 11/27/1989 | See Source »

LAWRENCE OF ARABIA. Can David Lean's 1962 epic possibly be adapted for the tube? Yes! The videotape (RCA/Columbia) looks smashing, and the laser disc (Criterion), with its superior sound and visual resolution, even better. Both offer the fully restored film that was successfully rereleased in February, and both preserve its wide-screen format...

Author: /time Magazine | Title: Critics' Voices: Nov. 20, 1989 | 11/20/1989 | See Source »

BATMAN. The summer's blockbuster comes to video stores this week. Finally, the handful of people who still haven't seen Batman will be able to explain its appeal to the even tinier (but discerning) group who find the film slow, murky, uninvolving and -- except for its visual grandeur, which may be lost on the small screen -- witless...

Author: /time Magazine | Title: Critics' Voices: Nov. 20, 1989 | 11/20/1989 | See Source »

...came from Wall jumpers, who confronted head on the "antifascist protective barrier," as the jargon of totalitarianism described the Wall. In their jagged sprints, dodging searchlight beams and bullets, they created a theater of longing where the value of freedom -- and the maleficence of its denial -- found an extraordinary visual expression. In 1962, in one of the most publicized instances, 18-year-old Peter Fechter, an East Berlin bricklayer, was cut down by machine-gun fire as he tried to scale the Wall and, in plain view of Western policemen and reporters, was left lying for an hour while...

Author: /time Magazine | Title: Wall Of Shame 1961-1989 | 11/20/1989 | See Source »

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