Word: visualize
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Dates: during 2000-2009
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...Creative writers] drink a lot before they write. Visual arts people smoke more. People here are really too serious, though, at least about their academic ventures,” she adds...
Even more, there’s a prevailing sense that much of contemporary poetry is being written to be read more so than to be heard. With the rising popularity of free-verse in the twentieth century, the visual layout of the poem—line breaks, indentations, punctuation, stanza breaks, spaces, etc.—has become increasingly important, replacing emphasis on the auditory landscape of rhyme and alliteration. The disappearance of these poetic devices, which formerly served to aurally delineate the poem, has resulted in an ambiguity as to how the poem’s visual arrangement informs...
...feel like it’s the kind of people who like to have conversations and are interesting,” says a senior Visual and Environmental Studies concentrator, referring to those Harvard artists who use drugs. “They like to get high and get out of this bubble that is Harvard, that is oppressive and socially limited and makes you jump through hoops all day and sometimes you need to get out of your own bullshit and just shoot the shit...
Wodiczko tries to achieve verisimilitude in this piece with visual and auditory effects, without relying on his usual documentary measures. Yet he still encounters the problem of exploitation. By creating his own narrative and dialogue, he projects his perception of the defining characteristics of war onto the audience...
...recent work, created for and shown at the Institute of Contemporary Art (ICA) in Boston, is smaller in scale, but does not depart from the frank manner in which he addresses war. Wodiczko attempts to make his audiences understand the nature of war by inundating them with emotionally charged visual and auditory material. He comes tantalizingly close by plastering safe and static public buildings with the frightening chaos of a foreign war, but his aggressive approach overwhelms the substance of his pieces...