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...they made t-shirts and stickers and posters that got pasted all over New York, and billboards, and bus advertisements and subway ads. There was a moment in New York when you just couldn’t be outside and not be experiencing some of the visual material coming...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

During its first years, ACT UP became a widespread movement largely because its symbols were widely recognizable and eventually iconic. Deeply saturated with artists and the art, it functioned as a sort of visual, social initiative...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...their currency is dialed into a historical moment. You don’t see them on the streets anymore and that might be partly because our culture has changed a lot and it’s no longer as possible to be heard or to have your visual object resonate in this culture that we exist...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...order for “ACT UP” to be more than just another exhibition and to actually affect such change, it needs to have a reach beyond the activist and artist community. “One of the most wonderful things about this exhibition, and about visual arts in general, is that it can provide us with an opportunity to really strike at a topic from many different disciplinary perspectives. Because this is such an essential historical material and one that has really been lacking in popular consciousness now—or at least on campus?...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

...very gesture of gathering visual media from the movement into a gallery is to fix ACT UP in time, and to soften its message that the AIDS crisis is ongoing...

Author: By Susie Y. Kim, CRIMSON STAFF WRITER | Title: Re-Act | 10/16/2009 | See Source »

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