Word: visualize
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...sneaking into the WTC. But the tightrope walk is a letdown; the conspirator who had a movie camera up there on the roof forgot to turn it on. So the big climax - man on very high wire (or should we say dead man walking?) - is pretty thin stuff. This visual paucity reinforces the feeling that we're not looking at, say, Paul Valery's nephew up there on the wire. Petit is not making any kind of "statement." He's in the not entirely dishonorable tradition of the guys who have been going over Niagara Falls in barrels these many...
Eventually, as Donna and her gal pals don trashy frocks to do Abba's greatest hits and a Greek chorus of villagers materializes as a backup group for practically every number, Mamma Mia!'s flouting of narrative and visual logic starts to suggest a cunning subversion. The film is not failed kitsch but triumphant Dada. It exists in an alternative universe, an Abbaworld, where 40 years telescopes to 20, the Seine is the Aegean, and Streep's outsize cheerfulness is the expression of a soul in mortal panic...
...soft spot for the iPhone. The problematic launch of the iPhone 3G on July 11 was unfortunate. But once you've tapped around the browser for even a few minutes or played with the slider that lets you fast-forward or rewind voice messages in the phone's visual voicemail, it's easy to see why millions of people are sold. The iPhone has the most elegant user interface of any phone I've seen, and its add-on apps make it more than just a toy you'll soon outgrow. What's more, the iPhone's GPS chip...
...acting nor the story matters much here; the movie is simply the sum of its 3D effects. In recent years some upscale films, notably Robert Zemeckis' Polar Express and Beowulf, have been available in 3D. Yet for a viewer to put on those glasses, still as cumbersome a visual appliance as they were in the '50s, is to surrender to cheesiness. (I tell moviemakers who want to work in the format: get back to me when you invent 3D without specs...
Journey to the Center of the Earth 3D Directed by Eric Brevig; rated PG; out now To put on 3-D glasses, as cumbersome a visual aid now as they were in the '50s, is already to surrender to cheesiness. This loose take on Jules Verne's novel, with Brendan Fraser as the wayward scientist, is the ideal vehicle for stuff jumping out at you: yo-yos, waterspouts, antennae, dinosaur drool, the works. It's fun for tweens, a sedative for their parents...