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Word: visualized (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Muslim leaders say the cartoons are not just offensive. They're blasphemy--the mother of all offenses. That's because Islam forbids any visual depiction of the Prophet, even benign ones. Should non-Muslims respect this taboo? I see no reason why. You can respect a religion without honoring its taboos. I eat pork, and I'm not an anti-Semite. As a Catholic, I don't expect atheists to genuflect before an altar. If violating a taboo is necessary to illustrate a political point, then the call is an easy one. Freedom means learning to deal with being offended...

Author: /time Magazine | Title: Your Taboo, Not Mine | 2/7/2006 | See Source »

...can’t really substitute for the real development of ideas, character development and plot that made Malick’s earlier films, such as “Badlands” and “The Thin Red Line,” so memorable. Malick’s visual lyricism is wonderful and pleasurable, but “The New World” cannot possibly stand the test of time in the way that his more inquisitive past films have. As demonstrated by the reactions of the viewers next to me—one woman loudly exclaimed...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: The New World | 2/3/2006 | See Source »

...Visual and Environmental Studies 80. “Loitering: A Studio-Based Seminar: Studio Course...

Author: By Emily J. Nelson, CRIMSON STAFF WRITER | Title: Loitering For Credit This Spring | 2/1/2006 | See Source »

...Visual and Environmental Studies 80. “Loitering: A Studio-Based Seminar: Studio Course...

Author: By Emily J. Nelson, CRIMSON STAFF WRITER | Title: Ten Notable Courses for the Spring Semester | 1/29/2006 | See Source »

...without being overly fussy. Tatsumi has a masterful talent for economizing, cramming as much depth of character, symbolism and drama into eight pages as many conventional manga only manage in 200 pages. That he often does this with practically no dialogue is a testament to his skills as a visual storyteller. Frequently the main character remains mute until the last frame where he might rhetorically ask, "How could this have happened?" Or he has an existentialist insight, like "To survive in the crowd, you have to struggle alone...

Author: /time Magazine | Title: Life and Literature Without Robots | 1/25/2006 | See Source »

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