Word: visualized
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Dates: during 2000-2009
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...poetry, when not inviting “99 Problems” producer Rick Rubin to lay the beats down on his hip-hop records. DJ Spooky, a Bowdoin graduate with a double major in French and philosophy, who performed at Sanders Theatre in March, weaves webs of aural, visual, and textual references ranging from Derrida to De La Soul...
Questions regarding the extent to which the real horrors of war can, or should, be represented on stage are complicated—and the verdict in this case will obviously depend to a large extent on the visual effect of the production...
Graphic novels, by nature, are a visual medium. As a result, a significant portion of the emphasis normally placed on a novel’s writing is shifted over to the artwork. In this case, this shift is a very fortunate move as, sadly, the writing in “Guilty” can sometimes verge on the mediocre and there are also a number of misspellings in the dialogue. However, Stevens’ drawings are often so realistic and subtly attention-grabbing as to render the dialogue almost entirely irrelevant...
Although this aspect can occasionally be inconsistent as well, it is Stevens’ attentive pen-and-ink renderings that carry the work. Accordingly, Stevens often abandons the dialogue-driven narrative for an entire page, favoring a cinematic style of slow, atmospheric visual observation...
David D. Mahfouda ’05 is the second recipient of the Office for the Arts at Harvard’s Louis Sudler Prize in the Arts. Mahfouda, a Dudley House-affiliated Visual and Environmental Studies concentrator, has been an innovator in performance art through projects such as “The Human Aquarium,” “The Cube,” “Dance Conspiracy,” and “Frozen Ghost Project...