Word: visualized
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Dates: during 2000-2009
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...sets evoke the feel of an unconventional fairytale. The woodland colors in Penelope’s quarters are evidence of her affinity for nature while the harsh exposed brick of Max’s world shows the tragic desperation of his wasted talent and gambling addiction. The visual representations of characters extend to their wardrobes. Penelope’s playful wardrobe of jumpers, opaque tights, and Mary Jane’s captures a girl on the edge of womanhood. Her blue coat with red piping and mismatched buttons becomes a symbol of unconventionality, as little girls go trick-or-treating...
...Garrett G.D. Nelson ’09 is a social studies and visual and environmental studies concentrator in Cabot House. His column appears on alternate Fridays...
...There was light streaming in, his wife coming and asking if we wanted lunch, and bookcases in the back. It just seemed all wrong, ordinary, unlike this rather imaginary world you can’t see. It seemed we ought to construct a talking space, some imaginative quality, a visual way to situate people in an artificial environment, but somehow reflective of the world they were in.”Galison agrees. “The world of secrecy was diminished in a world that had no secrecy about it,” he says. The solution was to film...
...times to believe he’s a successful and talented rapper.While Mos Def’s shortcomings in Black’s shadow are understandable, “Be Kind Rewind” stumbles from start to finish. Despite showcasing some of Gondry’s finest visual work, the film as a whole lacks an earnestness, a naïveté, that came so effortlessly in his previous works. As silly and loveable as they may be, the characters’ relationships with one another only act as a pasteboard to the service of the plot, which itself...
...Garrett G. D. Nelson ’09 is a social studies and visual and environmental studies concentrator in Cabot House. His column appears on alternate Fridays...