Word: visualizer
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Dates: during 1950-1959
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...best . . . and that is not enough, then I think the right time must have come for asking help of others." In a handsome collaboration between centuries, and in the first new U.S. edition in 25 years, Illustrator Louis Slobodkin adorns Word Magician Dickens' fable with just the right visual touch of fairy-tale grandeur...
...sessions at Madison Square Garden and in meetings at midtown hotels, they talked about everything from juvenile delinquency to audio-visual aids. They elected a sprightly new president-Miss Waurine Walker of the Texas Education Agency-heard such notables as Mayor Robert Wagner and U.N. Secretary General Dag Hammarskjoöld. But for the most part, the effect of the convention was to remind the public once again that it was far from performing its proper duty towards the public schools...
...Fourposter, in which the same couple appeared (TIME, Nov. 5, 19-51), but lacks much of the deftness of that comical production. One reason is that the first script has too much of the radio style about its dialogue, and not enough TV appeal. The few good visual touches that are used are ably exploited by Actor Cronyn. Example: visiting the local grade school on P.T.A. night, he first raises his eyebrows at a youngster's note on one blackboard-"Amy Hauser stinks"; a moment later he does a double-take at a second blackboard, which reads: "Amy Hauser...
...than a century later, Catlin's triumph was again underlined by a touring exhibition of his work in Europe. Sponsored by the U.S. Information Agency and (and supplied by the Smithsonian Institution), it arrived in the French town of Valenciennes after being in Essen, Munich and Hamburg. As visual, visitors found Catlin's pictures just as surprising and intriguing as their great-grandfathers...
There is something vaselike about the immobility of Toledano himself, though he is far from being an empty vessel. He must sit and wait for the visual impressions which are at least half of any artist's material. But the impressions obviously crowd in upon him, to spark a fantasy life far richer than that of more mobile but less perceptive artists...