Word: visualizers
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Dates: during 1970-1979
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...what is rarer, their praise was deserved. For Chardin had two great gifts. The first was his ability to absorb himself in the visual to the point of self-effacement. Now and again, as in his Basket of Wild Strawberries-the glowing red cone, compressing the effulgence of a volcano onto a kitchen table, balanced by two white carnations and the cold, silvery transparencies of a water glass-the sense of rapture is delivered almost before the painting is grasped...
...fervor of this painting, almost literally an opposition of fire and ice, is comparatively rare in Chardin's output. Generally his still lifes declare themselves more slowly. One needs to savor the Jar of Apricots, for instance, before discovering its resonances, which are not only visual but tactile: how the tambour lid of the round box accords with the oval shape of the canvas itself and is echoed by the drumlike tightness of the paper tied over the apricot jar; how the horizontal axis of the table is played upon by the stuttering line of red-wineglass, fruit...
THROUGHOUT the silent film era, comedy was one of the most cinematic genres due to the tremendous visual dynamism of slapstick. With the advent of sound, film comedies became merely photographic recordings of funny dialogue and burlesque situations which could be effectively mounted on the stage. Even comedies of the 30's (including those made by the Marx Brothers which were unique in their own way) continued to exploit non-verbal, absurd gags. More contemporaneous comedians such as Jerry Lewis, Peter Sellers and Mel Brooks also rely heavily on verbal puns and physical mise-en-scene, yet still with...
...Director Quine's handling of the straight action scenes. There is an unnerving feeling that most of the performers would like to do more than they are called on to do, that there is a potential here for dizziness that was never quite appreciated. Certainly more gags, both visual and verbal, are called for than the writers supplied...
...departments perceive tutorial instruction as strictly teaching-fellow territory. Visual and Environmental Studies provides individual tutorial instruction by senior professors for each concentrator. Arthur Loeb, head tutor in Visual and Environmental Studies, said this week that the department only allows teaching fellows to serve as readers on theses. Sophomore and junior tutorials are not compulsory in the department, so the demand on Faculty time is not as heavy as it would be if larger departments adopted the same system...