Word: visualizers
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Dates: during 1970-1979
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...Emerson 105 Psychology and Social Relations S-1520 Emerson 105 WEDNESDAY, AUGUST 16, 1978 6:15 p.m. MONDAY, WEDNESDAY EVENING CLASSES Education S-P-012 Jefferson 250 Fine Arts S-30 Science Center A Psychology and Social Relations S-1755 20 Garden Street Sociology S-128 20 Garden Street Visual and Environmental Studies S-188 20 Garden Street THURSDAY, AUGUST 17, 1978 9:15 a.m. 9 O'CLOCK CLASSES Arabic S-D Emerson 210 Biochemistry S-100 Jefferson 250 Biology S-1a Memorial Hall Biology S-120 Memorial Hall Chinese S-Aab Emerson 210 Chinese S-102ab Emerson 210 Comparative...
...Visual and Environmental Studies...
...quality of German visual art has traditionally been downplayed by a Francocentric version of art history, so that-especially for those born between 1930 and 1945- there were relatively few vivid images of a civilized "modernist" Germany to set against the overwhelming iconography of Nazi terror. Now this is changing. "Paris-Berlin" comes hard on the heels of a splendid group of exhibitions mounted in Berlin last fall by the Council of Europe under the general title "Trends of the '20s." They focused on German Dada, on the Bauhaus and its circle, and on international constructivism. "Paris-Berlin" overlaps...
...Irwin B. Klein, looks in any way like a news photo. This must seem strange at first, since the past 20 years have been the most photographed in history. Everything that happened, one might suppose, happened before a camera; there has never been anything like the sheer bulk of visual documentation left as the residue of a popular-photography culture. People and events seem ghostly unless they have been verified by a camera. Wars, elections, riots, disasters, communal ecstasies, the speeches of politicians and their deaths?all are eaten up by the omnivorous lens, as photography (through journalism) defines...
...inspired bit of innovative staging: during the singing of "O Mistress Mine" Orsino and Olivia appear in the opposing balconies, each meditatively gazing up into the night sky; Viola silently enters below, and, while listening, looks up at first one and then the other. We thus have a visual triangle to underline the love triangle in which the three characters are involved...