Word: visualizers
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Dates: during 1970-1979
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...Venice, a profusion of flora, fauna and visual metaphors...
...into a gallery: those mountains and seas will not fit, and Byron's horses are less tractable than Kadishman's sheep or Paradise's one-shot bull. Consequently, the best things in the Biennale were the displays which allowed the galleries to work as containers for visual metaphor rather than cages for a withered reality...
Alas, the picture does not come off because execution does not match conception. Simon's literary palette is as lacking in delicate hues as Director Moore's visual one. It is bold to plunk Rick's cafe down in Sam Spade's San Francisco. It is even mildly funny to have Victor Laszlo require his wife's old lover to help him get not letters of transit so he can escape the Nazis but a liquor license so he can open a French restaurant in Oakland. But when the song that reminds Rick...
...details of street festivals and bathhouses on the largest "official" scale known to Japanese art -the byōbu, or folding screens, closely detailed and richly ornamented with gold leaf, which decorated the houses of the rich in Kyoto and Edo. These genre pictures give the most complete visual account of everyday life in old Japan that has come down to us, and a delightful selection of them (drawn from the Suntory Museum of Art in Tokyo) is on view at New York's Japan Society through July...
...describing the "Japaneseness" of common life, the artists (most of whose names have perished) devised a kind of visual equivalent to the long social descriptions in Victorian novels. What the genre screens lack in iconic profundity, they make up for in their beguiling chatter of incident and their unfailing decorative sense. Priests, archers, race jockeys, carpenters, nobles, swordsmen, dancing girls, cooks, vegetable sellers, water carriers, lackeys, Kabuki actors, fishermen-the cast of characters is wide, embracing most of the classes and occupations in Japanese society-seen from the detached eyeline of upper-class patronage. The intimations of sympathy with underdogs...