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Word: visualizers (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...accept the conventions of historical drama: no one is much worse off if everyone's image of Disraeli is George Arliss or if Gregory Peck romanticizes the legend of Douglas MacArthur. But, as a number of psychologists have pointed out, the television screen provides most people with their visual knowledge of real events, such as President Kennedy's assassination, so that truth and show-biz demands are bound to get mixed up when two networks (ABC and CBS) morbidly return to the scene of the crime this fall and mimic its actuality, with docudramas on Lee Harvey Oswald...

Author: /time Magazine | Title: NEWSWATCH by Thomas Griffith: Playing with the Facts | 9/19/1977 | See Source »

...culture is, perhaps, to say no more than that he was a painter. But the intensity of that conversation between perceived and stylized form in the cut-outs renders them heroic. They are the climax of the symbolist tradition in France, and may be the greatest works of visual art in that tradition...

Author: /time Magazine | Title: Art: The Sultan and the Scissors | 9/19/1977 | See Source »

...looking environment. Managing Editor Henry Grunwald finds the new design "neat and orderly. It should encourage discipline and emphasize organization, which is at the heart of the newsmagazine principle. But this sense of order will not inhibit us. Quite the contrary, it will make the occasional splash, the bold visual gesture easier...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 15, 1977 | 8/15/1977 | See Source »

...used with minor modifications for 15 years. In 1938 a more modern type face was adopted for a cleaner, more contemporary look. Our last complete redesign came in 1971. We feel that each of the for mats was faithful to the TIME spirit, but changed with changing needs and visual tastes...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 15, 1977 | 8/15/1977 | See Source »

...Helene Fourment, the child wife of his old age (she was 16, he 53, when they were married in 1630), is both the record of desire and a proclamation of God's generosity. Rubens' world was tumescent; even the eyes in his portraits, large, white, engorged with visual appetite, look like erogenous zones. All his women-those grandly callipygian wardrobes of radiant flesh, whose bodies we feebly classify as "fat"-seem, as Sir Joshua Reynolds once remarked, to have "fed upon roses." The late landscapes he painted around Chateau de Steen, his country seat out side Brussels...

Author: /time Magazine | Title: Art: Rubens: 'Fed upon Roses' | 8/1/1977 | See Source »

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