Word: visualizers
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Dates: during 1990-1999
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Deep End may remind you of a "quality" TV play of the '50s: it is conscientious, delicately acted, lacking in visual flair. It is so generous to all the characters that it tends to meander. Now it's Beth's story, now Vincent's, now Sam's. It has little interest in villainy: the backstory of the kidnapping takes just moments. But in a time when there are few serious family dramas--and when those few, like Stepmom, play it shrill and sticky--the old limitations can look like cardinal virtues...
...Stahl said in recent times, President Clinton and the first lady, Hillary Rodham Clinton, have effectively used visual images to their political advantage. The "game faces" of the duo helped them through the recent impeachment scandal, she said...
...structuralist or post-modernist. The head TF of the course, who was fair in his tolerance of my opinions to the contrary, informed me that, indeed, the pedagogical goal was to "destabilize" the Western conception of art. So we read a large amount of Michel Foucault, whose connection to visual culture is entirely dubious...
...physical and iconic presence did not actually detract from his performance, and in fact his Texas accent suited the gruff, serious and asexual Chekhov as much as it distracted. His delivery, on the other hand, was just flat. One had the feeling that Jones is an actor for active, visual roles and that sitting on a barstool reading Chekhov is simply not a decent outlet for Jones' talent...
...organic whole, rather than in his ability to choreograph innovative steps. What emerges in his dances is a continuous, ebullient surge of movement that exists in perfect harmony with the music. Yo Yo Ma's passionate delivery of the music on stage with the dancers along with the visual splendor of the costumes and sets-a murmur swept through the audience when the curtain rose before the third dance, revealing a backdrop of red and green waves of color-arrested my attention more than the choreography of the dances themselves, which often became hypnotic in the monotony of their movement...