Word: visualizers
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Dates: during 1990-1999
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...making. When the Epcot-style tram delivers you from the parking garage at the bottom to the plaza at the top of the ridge, you step out into a space that seems both amiable and Utopian, dignified but, despite its acreage of travertine, not authoritarian: a respite from the visual chaos of Los Angeles, but offering the best views a public could have of the city spread below...
...with its curved walls and round ceiling trusses, it hasn't a foot of dull space in it. There are a few things in the design that seem arbitrary or merely rhetorical. The towering "parasol" that Gehry put over the river entrance is pointless except as a visual element--its roof is too high to give any protection from the weather. And the twin stone-veneer towers that rise downstream of the La Salve bridge are just a costly logo...
First-time director Andrew Niccol brings considerable visual style and an intriguing premise to this story of a Brave New World society in which the pre-planned, genetically made-to-order elite get the honors and opportunities, and the natural births are relegated to the grunt work. Ethan Hawke plays Vincent Freeman, a "natural" who borrows the identity a brahmin to fulfill his lifelong dream of leading a mission to outer space. Although the film suffers from unevenness, sketchy characters and muted acting, Niccol's striking images make it all easy to overlook. --Lynn...
...concertgoers in Symphony Hall had been disappointed by the lack of a visual spectacle to accompany the delivery of their aural divertissement, they now realized that the best had truly been saved for last. The music itself was enough to enthrall the listeners, but even the juxtaposition of flowing harp and string lines in the Adagietto against the hysteria of Mahler's militaristic finale paled against one man's unearthly presence. Jacket strained across his back, he quavered with emotion, pressing his fingers to his lips to evoke a sense of the bellissimo in the Adagietto; in the frenzied phrases...
...ridiculousness of the melodramatic excesses, and perhaps place them in a contemporary context, this production frames the dramatic action with a rather broad poke at the modern media fascination with violence and sensationalism (a la Natural Born Killers). Viewers with weak stomachs have little to fear, however: the visual representation of the violence and bloodshed is quite restrained, consisting mainly of several sparing patches of blood and one remarkably fake-looking severed hand. Perhaps as an appeal to the spirit of Halloween, a lot of the physical pain the various characters inflict on each other takes the form of mystical...