Word: visualizers
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Dates: during 1990-1999
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...actual art object. Meireles, like the most famous Conceptual artists, including Joseph Kosuth and Lawrence Weiner, gained critical acclaim in the 1970s. Through the medium of language, Kosuth and Weiner examine such issues as the commodification of the art object as well as the relationship between art's visual and intellectual impact...
...quotations address the post-modern "atrophy of experience," a symptom of the "information age," but the poor quality of the projections dilutes the visual impact of Kosuth's Primary cintext for his text, defying his emphasis on context and art being incorporated into the "real world...
...defining the Context of Art: 1968-1997, The Second Investigation and Public Media" at MIT's Weisner Visual Art Center displays Joseph Kosuth's development as philosopher and social commentator, but, overall, lacks visual intrigue. Housed in a small, dimly lit room, the show consists of three large projections that cover two walls, black lettering on the sole window and approximately 25 striking black-and-white photographs...
...about how scholars create a work of history. It's a different product because it's a different product because it's a different medium, different assumptions, different needs. I think there are pretty important differences; the film is much richer and more complete in terms of conveying a visual world. On the other hand there are things that books can do that films absolutely can't. I think that there is a historical complexity in the book that is not in the film...
Director Dick Rogers, who is a VES professor, addresses the situation: "There's the whole problem of how to keep the piece moving. It turns out to be not so difficult because film is very visual and the diary is so powerful. The great contribution that the actors make was to make their actions real, which means that they had to feel their action...