Search Details

Word: visualizers (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

Thomas F. Haas '97, a Visual and Environmental Studies concentrator who is taking this class as an elective, agrees...

Author: By Amita M. Shukla, | Title: Even Time Has a History | 2/7/1997 | See Source »

Half the fun of "Star Wars" comes from taking in all those special effects. Although the technology never approaches the rarefied levels of visual fireworks achieved in "2001: A Space Odyssey," special photographic effects supervisor John Dykstra has pieced together an impressive collection of robots, futuristic weaponry and spaceage interior sets that will keep the eye titillated while the intellectual faculties take five. The spellbinding dogfight and final assault of the Empire's central nervous system that wind up "Star Wars" are particularly noteworthy for the way that Lucas so easily integrates the gimmickry into the climax...

Author: By Joe Contreras, | Title: "Graffiti" Director Delivers Cliched but Dazzling Epic | 2/6/1997 | See Source »

...Troopers. However, the plot of "Star Wars" is in fact what separates it from its imitators. Lucas creates an entire universe akin to Tolkien's Middle-Earth or even William Faulkner's Yoknapatawpha County. But unlike these two creators, Lucas builds his universe with broad strokes, providing a comprehensive visual and narrative world even though we do not know such specifics as the nature of the Rebels' true cause, the story behind the Clone Wars, or the scope of the Empire. He also assimilates mythology, pulp science fiction, and popular dramatic conventions into his story and makes them...

Author: By Marshall I. Lewy, | Title: STAR WARS | 2/6/1997 | See Source »

...imagination. Out of the traditions of Venetian painting, he taught himself to be one of the most audacious space composers in the history of art, capable of dissolving a solid ceiling into light and vapor. But the distanced, self-aware theatrics of his style--his parade of visual language as a source of delight--make him look modern, even though there isn't an artist today who could begin to rival that virtuosity...

Author: /time Magazine | Title: ART: VENETIAN VIRTUOSO: GIAMBATTISTA TIEPOLO | 2/3/1997 | See Source »

...film's villains are from Central Casting, the cops from Keystone. But that's not what matters. Taking a page from the Martin Scorsese handbook, Curtis Hall smartly heightens moments with epic visual declarations (slo-mo, negative images, gigantic closeups). The speeches are arias, the shots operatic, complex...

Author: /time Magazine | Title: CINEMA: THE BETTER SIDE OF TUPAC | 2/3/1997 | See Source »

Previous | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | Next