Word: visualizers
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...final word for those of you who just don't care for musicals: The movie's true lyricism is less in its score than in its visual and emotional palette, and in watching Depp rise to the majesty of madness. So give Sweeney Todd a try. Even Victor, when he finally saw it, agreed: it's bloody great...
...parliamentary minutiae and the free speech resolution of anthropology professor J. Lorand Matory ’82, leaving no time to act on any of the several measures pertaining to the actual governance of the College. In light of important and time-sensitive proposals like a graduate program in Visual and Environmental Studies (VES) and reforms to the Q guide on the table, the Faculty’s dithering becomes all the more irresponsible. We encourage the Faculty to stop wasting the time of both its own members and of the students it governs, and to move forward on projects...
...Elysium,” choreographed by Claudia F. Schreier ’08, was, by far, the best piece of the night. Schreier’s choreography struck the ideal balance between the abstraction typical of modern dance and the visual appeal of classical ballet. The best moments of her exquisite choreography featured not only the usual leaps and turns but also interesting new movements, like dragged splits. She worked with the most talented HBC members: Lynch, Moore, Shee, Walker, and James C. Fuller ’10. Walker shone the brightest, but all five brought Schreier?...
...message—namely, that she’s hot and her dominance of the industry is imminent. Mostly, the video entails Kid Sister sitting idly in a nail salon, waving her freshly brushed and glittered cuticles at the camera while dropping self-absorbed rhymes. Hardly a good visual marriage for the catchy, clubby beat provided by A-Trak, who also makes an appearance. Still, director Fleischer provides keen originality to match Kid Sister’s potential club hit. Inspired by the art of fingernail design, the video features numerous leg-like fingers artistically break dancing on the salon?...
...philosophy paper. Even a dyed-in-the-wool culture snob such as yours truly has to permit a bit of slack in exchange for a watchable movie. In the final analysis, the film’s myriad of merits derive from its high brow repartee, its majestic visual representation of an African-American South as intellectual as it is sensuous, its unapologetic portrayal of gruesome racial violence, and its mise-en-scène of rhetoric.So the movie is a success then. Right?Well, yes, but no. It’s a success on its own terms.The whole time...