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Word: visualizers (lookup in dictionary) (lookup stats)
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...could have argued that the film proceeded so slowly because every image was so beautifully composed, so full of visual drama, that it was worth contemplating as one would a Piero della Francesca portrait. The dimensions of the movie screen, Antonioni suggested, have less in common with the stage proscenium than with the frame of a painting. Films are pictures on a wall, and Antonioni was one of the first directors working within the commercial cinema to make museum movies. One didn't watch his films so much as gaze at them - at a duration determined...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...university is the nation’s first and only dedicated to the visual, performing, and communication arts, according to the school’s Web site...

Author: By Nathan C. Strauss, CRIMSON STAFF WRITER | Title: Associate Provost Set To Join University of the Arts | 8/3/2007 | See Source »

...think that even before I did ‘Spellbound,’ I wanted to see myself as a visual storyteller,” he says. “So I ended up doing ‘Spellbound’ first because I wanted to be in control of a project straight out of film school...I didn’t see myself as a documentary filmmaker, just a filmmaker...

Author: By Andrew E. Lai, CRIMSON STAFF WRITER | Title: Blitz Escapes Bind, Learns Science | 8/3/2007 | See Source »

...Bourne Supremacy (2004) - picked up the reputation as a thinking man's spy series. Certainly they were darker, grimier, than the old James Bond films and their glitzy clones. (The latest Bond, Casino Royale, took some cues from the Bournes: made the hero more brutal, gave the visual a hint of grit.) But the notion of an amnesiac agent, a spy with no past, born into a web of intrigue, search for his true identity, is not automatically Oedipus Rex. Bourne, who needs no sleep or food or pee breaks, no downtime at all, he's closer to the Terminator...

Author: /time Magazine | Title: The Bourne Ultimatum: A Macho Fantasy | 8/2/2007 | See Source »

...Literature concentrator, Stein says he had a good deal of freedom with choosing classes to fulfill his concentration requirements. For example, he was able to take a Visual and Environmental Studies course about the classics of world cinema for credit during his sophomore year...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: His Lot to Lose | 7/27/2007 | See Source »

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