Word: visualizers
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...vocal talent. To prepare for 300, Butler went through weeks of strength training so he could portray the Spartan warrior, which your article dismissed as nothing more than "Hollywood pretty boys" bulking up. I saw 300 the day after its March 9 opening and thoroughly enjoyed both the visual effects and the acting. Judi Ross, NILES, MICHIGAN...
...Prisoner is a wee little movie, only 72 minutes long, and it is very minimalist in approach - three interviews, a little action footage shot by Yunis and Tucker, with comic book cartoons (by co-director Epperlein) filling in the visual gaps in the story (a much more honest approach than using impersonal stock footage and a lot of pompous narration). But this punctiliousness, this refusal to inflate, grants it a large measure of persuasive power. You believe it precisely because it makes no claims it cannot document and, more important, because you imagine yourself in his sandals, trying desperately...
...Spring Greeney ’09 is an environmental science and public policy concentrator in Pforzheimer House. Karen A. McKinnon ’10 lives in Mower Hall. Garrett G. D. Nelson ’09, a Crimson editorial editor, is a social studies and visual and environmental studies concentrator in Cabot House. All are members of the Board of the Environmental Action Committee...
...capacity yet as "visionary" for Venice. As one of four judges, including Engberg, who selected the three official Australian artists, and continuing in his "ambassadorial" role of commissioner from the 2005 Biennale, Kaldor has more than anyone else shaped Australia's presence at the world's oldest festival of visual arts. "Every city worth its salt wants to have a biennale," says Kaldor, who has attended his fair share since the early '70s. "But they can't outdo Venice. People come to Venice as a tradition. They come to Venice because it's so beautiful. They come to Venice because...
...Speaking to a small gathering of film aficionados at the Carpenter Center, Hoberman offered a preview of his next book, which will focus on the role of “movies as political events and political events as movies” in the 1950s. Hoberman, a visiting lecturer on visual and environmental studies, said the book will focus on the films that he believes reflect the angst that gripped America during that decade. The book will be a prequel to his 2003 work “The Dream Life: Movies, Media, and the Mythology of the Sixties...