Word: visualizers
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...similarities of ideas and content raise enough questions that you need a purposeful conversation between the editorial cartoonist and the supervisor," said Bob Steele, the Nelson Poynter Scholar for Journalism Values at The Poynter Institute, a school and resource center for journalists. Plagiarism can occur in visual as well as printed media, he added...
...third take, and the A.D. [assistant director] would be like, 'What do you think you are - Kubrick?'" Somehow, though, these two kids from an Australian film school, working on their first feature, got it done, and matched the ingenuity of the plot with a slick, sick visual style. (The film's green pallor suggests that Wan, an ethnic Chinese born in Malaysia, had been watching a few of the Hong Kong dramas shot by Christopher Doyle...
...Kallaugher learned the power he wielded with the pen when he was a student at Harvard, where he was a Visual and Environmental Studies concentrator. As a cartoonist for both The Crimson and the Harvard Independent, he drew his first cartoon depicting the lack of student space with a caricature of then-University President (and now Interim President) Derek C. Bok shoving students into a telephone booth...
...screened as planned. Holgerson further says, “It’s disappointing, but it should be really good anyway, and we’re still looking forward to it.” The HFA screenings were initially proposed by Lucien G. Taylor, an assistant professor of Visual and Environmental Studies and of Anthropology who teaches courses in filmic anthropology. He had previously screened Dvortsevoy’s films for one of his classes. These documentaries depict vignettes of the lives of those living in central Asia or Russia: from the shepherds of the steppes to the peasants outside...
...scene to scene also succeed in creating a sufficiently fantastic backdrop for the lively choreography. The famous windmill from the novel appears in the second act and does not disappoint. Don Quixote’s hallucination of a smoke-enveloped Dulcinea in Act II Scene II, though haunting, is visually dark and gloomy against the otherwise cheerful performance. In the end, the sustained energy of the dancers throughout a technically challenging performance outshines any inconsistencies in plot or visual spectacle. Even if Don Quixote himself is sidelined as a character, the audience appreciates his fantastic vision of reality that drives...