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...success of Saving Private Ryan and Band of Brothers turned him into a Tom Brokaw-like spokesperson for the Greatest Generation. When he visits Johnson Space Center in Houston or Fort Bragg in North Carolina, he is feted as if Neil Armstrong had entered the room. He's the visual David McCullough of his generation, framing the heroic tales of explorers, astronauts and soldiers for a wide audience. (McCullough's John Adams has sold about 3 million copies; Hanks' John Adams brought in 5.5 million viewers per episode.) And in the history world, his branding on a nonfiction title carries...

Author: /time Magazine | Title: How Tom Hanks Became America's Historian in Chief | 3/6/2010 | See Source »

...concentrated in East Asian Studies at Harvard, focusing on Chinese film and literature. Looking back, should you have concentrated in Visual and Environmental Studies...

Author: By Stephanie M. Woo, CRIMSON STAFF WRITER | Title: 15 Questions with Mynette A. Louie ’97 | 3/4/2010 | See Source »

Green is the new black, and sustainability has been declared our savior. Yet scientists still face an uphill battle for the fickle attentions of the public. Sung H. Kang, Boaz Pokroy, and Joanna Aizenberg of the Harvard School of Engineering and Applied Sciences turned to visual art. They collectively won the photography division of the International Science and Engineering Visualization Challenge, which awards images that present complicated research in a layman-friendly way—images that bring the science to the people...

Author: By Alexander J.B. Wells, CONTRIBUTING WRITER | Title: Visualizing the Art Inside the Science | 3/4/2010 | See Source »

...There are a lot of talented visual artists in the sciences,” says Liu. “There’s not a divide between arts and sciences, there’s a continuum. So much of science is beautiful. It is so elegant that biology has turned everything into a network of atoms and neurons that create life...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Scientific Animation Spurs Artistic Creation | 3/2/2010 | See Source »

...visual cues are as loud as the singing: from the very beginning, the slogan “Fascismo È Libertà” is projected brightly onto an angularly imperious archway. The villain Scarpia (Greg Cass) is dressed as a blackshirt, with oily hair and a thin mustache suggestive of Hitler. By the end, when Tosca not only takes the traditional suicidal plunge, but tears down a banner with the motto “Viva La Morte” with her, there can be no mistake: we are in Fascist times. Only Mussolini posters could have made...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

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