Word: visualizers
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
There are plenty of these, especially in the pictures. Bare female breasts bob up in odd contexts, including a chapter devoted to the human back. Faced with such visual competition, Morris tries to keep his text and captions full of breathtaking assertions. Scarcely a smidgen of the 17 sq. ft. of skin that covers an average human escapes his hypotheses. Brooke Shields' full eyebrows and the small noses sported by contemporary male matinee idols both have something to do with the rise of feminism in the West. "The shape of the female navel has changed in recent years," Morris announces...
...death in 1907, Saint-Gaudens was seen as proof that America could produce art--an ability that, his patrons felt, went hand in hand with the triumph of the industrial Northeast after the Civil War. He gave the crude, grabbing Republic its lessons in symbolic deportment and visual elocution, and won its unstinted gratitude. If there was such a thing as the American Renaissance, then Saint-Gaudens embodied it in sculpture, as surely as the Roeblings did in engineering, Louis Comfort Tiffany in décor or McKim, Mead and White in architecture. Today portrait sculpture is dead, and the photo...
Three things salvage the production: the visual ingenuity of Director David Giles, who, for example, opens this play about the loss of loved ones and renewal through fresh love with an image of autumnal leaves being swept aside; Edward Atienza's bravura performance as Feste the fool, repeatedly given center stage to emphasize the folly of lovers; and the glowing impersonation of Viola, the girl dressed as a boy who inspires love everywhere, by Seana McKenna. She is young enough for the role but experienced enough to seduce an audience as ably and innocently as her character seduces the nobles...
...With the visual aid of moving pictures, however, the lovers of the Western world could dramatically improve their technique. For the first time, it was possible for the masses to study, close up, the romantic style of the great masters. It may not have always been wise to imitate the ideal, of course. Rudolph Valentino, for example, favored a hyperbolic style, arching the woman back into a circumflex and doing semaphor with his eyebrows. He had the technique of a gifted and tormented periodontist. Nor is it always advisable for amateurs to try to reproduce the unforgettable scenes, like...
...almost purely visual ambitions of such hipster objects, he worries, are misleading design students. "They all want to do teapots," he says. "It's like all their nerve endings are connected directly to their eyes. Technology is a nonsubject to them. They want to design, but they don't want to build." Stumpf, a big, lusty child of the Midwest, wants to make things that work as well as delight. --By Kurt Andersen