Word: visualizers
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...reluctant to juxtapose “Guilty” with “The 400 Blows,” Stevens work definitely has an element of that same detachment and disaffection among its characters that infuses the oeuvres of Truffaut and his contemporaries. Further, Stevens’ visual style is reminiscent of cinematic montage, which wordlessly hints at a complexity of character and adds depth and texture to an otherwise straightforward story by injecting disparate, non-sequential images into the narrative...
...team of students, which includes Visual and Environmental Studies and Mathematics concentrators alike, began meeting in January. By April, they had narrowed their project down to three options...
...television series, and, most recently, a feature film. What the radio play and books had in common, and what the movie lacks, is a heavy emphasis on brilliantly witty dialogue and narration. As a result of this work’s adaptation to film—a visual medium—the ingeniously witty dialogue and narration necessarily move out of the spotlight in order to share the stage with the element of the moving image...
...originally written, “The Hitchhiker’s Guide to the Galaxy” was not well-suited for the silver screen. Adams’ much-loved quirky humor based itself much more on rhythm, pacing, and idiosyncratic description than it did on any sort of visual comedy. Although his witty prose certainly evokes no shortage of silly imagery, the comedy invariably manifests itself more in the style and delivery of the description, than it does in the image itself. While, when deployed in a written or auditory medium, this style is used to hilarious effect, it simply...
...oeuvre into a screenplay for probably just this reason. How do you convert a work that relies so heavily on cleverly turned phrases and that perfect tone of British sarcasm into a movie without making it either a boringly photographed set of witty talking heads or an unfunny visual representation of all of Adams’ verbose descriptions...