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...Visual...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 4/15/2005 | See Source »

...full-length plays originated at the Cottesloe, The Nativity, The Passion and Doomsday, that retell the Bible, accenting the life and death of Christ. The language comes from the alliterative, rhyming poetry of medieval English miracle, or mystery, plays, chiefly the York, Wakefield, Chester and Coventry cycles, but the visual imagery is imaginatively modern: God sits in judgment on a whirling metal cage of a world, and Jesus ascends into heaven on a forklift truck. Director Bill Bryden has preserved the vernacular tone and naive simplicity of the originals and has staged the action so that much of the audience...

Author: /time Magazine | Title: Theater: Bard, Bible and Forklift Truck | 4/12/2005 | See Source »

This means that all the President's doctors can do is watch their patient carefully and hope to catch any recurrence in its earliest stages. Doctors have recommended that six months after the President's discharge from the hospital he should undergo another colonoscopy, a visual examination of the colon (see diagram). They will check his blood regularly for carcinoembryonic antigen, a chemical marker that may indicate the presence of cancer cells, and examine his lungs, liver and other organs by means of X rays and CAT scans...

Author: /time Magazine | Title: What the Diagnosis Means | 4/12/2005 | See Source »

However exotic the plot, it seizes on a basic parental fear: losing one's child to drugs or suicide or a religious cult or ordinary adolescent independence. But Boorman, a 52-year-old wild child who combines lush visual sophistication with the oneiric storytelling sense of a Hyde Park ranter, will always opt for youth's reckless hurtle into the unknown. In his forest, the prime evil is civilized man, and "back to nature" is a great leap forward. So the father in this dizzy, rapturous adventure picture must allow Tomme to do his own thing; indeed, he must destroy...

Author: /time Magazine | Title: Cinema: Prime Evil | 4/12/2005 | See Source »

...Argentine-born Hector Babenco from a script by the American Leonard Schrader and a novel by the Argentine Manuel Puig. This time the artistic melting pot bubbled to perfection. The film's gaudily stylized performances (notably Hurt's, which has grandeur about it), all its tonalities, both visual and verbal, are pitched one notch above the naturalistic. Thus Babenco may subtly explore issues, both political and psychological, that are usually dulled by moviemakers' earnestness and self-importance. Full of sudden startlements and twists, the film is delighted by its own originality, its own shrewdly controlled outrageousness. If Busby Berkeley...

Author: /time Magazine | Title: Cinema: Crosscutting Across Cultures | 4/12/2005 | See Source »

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