Search Details

Word: visualizers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

After leaving the Times last spring in a much-discussed shakeup, he has returned to teach his popular film course, Visual and Environmental Studies 173x, “American Film Criticism” this semester. The class offered open enrollment last year to accommodate 107 students. Based on what TFs say was overwhelmingly positive student feedback, it has swelled even further this semester. Also returning is Mitchell’s seminar, African and African American Studies 183, “The African-American Experience in Film...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: Chilling With Elvis, The Controversial Charmer | 4/8/2005 | See Source »

...shopaholic,” Mitchell says when I asked how much he spends on clothes. “If you’re a critic of a visual medium, you should pay attention to how you look.” Still, he acts bewildered—though not entirely unhappy—about all this publicity...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: Chilling With Elvis, The Controversial Charmer | 4/8/2005 | See Source »

Close your eyes. Imagine a can of soda or a carton of eggs, and then, with your eyes still closed, estimate its size with your hands. A study in Psychological Science predicts that your visual memory will make you overestimate; a blind person--more tactilely sensitive--will do better. --By David Bjerklie...

Author: /time Magazine | Title: Health: From the Journals | 4/3/2005 | See Source »

...baking bread," reads one panel. When a shuffling sound comes from behind them they turn to see "the undead" rising from their graves. Rather than linger on this classic horror set-up Huizenga instead abruptly shifts the scene to bison on the plains. Though at first taken as a visual non sequitur, this peculiar juxtaposition signals one of Huizenga's curious shifts in time...

Author: /time Magazine | Title: Get It 'Or Else' | 4/1/2005 | See Source »

...their bodies, bicycles and the swirling leaves become blurs of unified motion, eliciting the pleasures of movement and the sense of becoming lost in a secret world. By the end of "NST '04" it becomes clear that the zombies were never the point. Instead, using comix' unique tools of visual queues, it reads as a complex portrait of a budding relationship, particularly those private moments that bond people together...

Author: /time Magazine | Title: Get It 'Or Else' | 4/1/2005 | See Source »

Previous | 221 | 222 | 223 | 224 | 225 | 226 | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | Next