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Word: visualizers (lookup in dictionary) (lookup stats)
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...cohort have taught TV new visual tricks, raised its production standards and perhaps shown the dinosaur networks a way to survive the swarm of nimble cable competitors. The CSIs have made network drama more consistent. But they have also--cop show after doctor-cop show after military-cop show--made it more homogeneous. They have taught TV to tell entertaining, simple stories without dumbing them down--and left the networks uninterested in much besides simple stories. The CSI effect has produced TV that looks 21st century but is as conventional as a rerun of Mannix. In some ways...

Author: /time Magazine | Title: Television: Crimetime Lineup | 11/8/2004 | See Source »

...upcoming House, in which doctors hunt down disease outbreaks abetted by the latest medical, and special-effects, technology--are structured like cop procedurals. You can see the influence in a show like NBC's Las Vegas, the sophomore hit about casino security that like CSI combines frisky visual effects and over-in-an-hour stories. What goes around, comes right back to Vegas...

Author: /time Magazine | Title: Television: Crimetime Lineup | 11/8/2004 | See Source »

...holiday, whose name means “The Day of the Dead” in English, is not as morbid as many assume. Rather, it is a commemoration of those who have departed and celebration of continuing life--—often through visual and performance...

Author: By Mary CATHERINE Brouder, CONTRIBUTING WRITER | Title: Day of the Dead Hits Harvard’s Halloween Revelers | 11/5/2004 | See Source »

...hour-long journey into the abstract workings of Buñuel and co-writer Salvador Dali’s seemingly bottomless imaginations, L’Age d’Or is a collection of unnerving vignettes, treating the viewer to such visual non sequiturs as men climbing on ceilings, a woman caressing and kissing a statue, and a man with a face of flies. It is challenging viewing, but the rewards are immense...

Author: NO WRITER ATTRIBUTED | Title: Film Reviews | 11/5/2004 | See Source »

Wood went on to more specifically pinpoint the difficulties of translating Greene’s work to film. “Greene’s work as film presents a problem because he is a very visual writer,” he says. “And I think it some cases, directors err because they adhere too closely to the text itself. I felt that about The Quiet American...

Author: By Vinita M. Alexander, CRIMSON STAFF WRITER | Title: Graham Greene Centennial Celebrated | 11/5/2004 | See Source »

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