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Appropriately enough, it was the ramp of the Carpenter Center for the Visual Arts (CCVA) that bore its christening on May 27, 1963. That evening, a “family party” was held in honor of the opening of the Carpenter Center, with guests including then-University President Nathan M. Pusey, patrons Mr. and Mrs. St. Vrain Carpenter, Dean of the Graduate School of Design José Luis Sert, and his wife Moncha Sert. To inaugurate the building—the first in North America designed by architectural great Le Corbusier—the university luminaries in attendance...

Author: By Brian D. Goldstein, CRIMSON STAFF WRITER | Title: Celebrating Le Corbusier’s Carpenter Center | 5/7/2004 | See Source »

...exhibit presents the work of naturalist-educator Albert Bussewitz, a dedicated student of the Arboretum landscape. His photographs are on loan from the Masachusetts Audubon Society’s Visual Arts Center in Canton, Mass. Through May 17. Hunnewell Building Lecture Hall, 125 Arborway, Jamaica Plain...

Author: NO WRITER ATTRIBUTED | Title: Happenings | 4/30/2004 | See Source »

Micheli, a Visual and Environmental Studies graduate whose first film, Just for the Ride, was her senior thesis, is also excited about the numerous venues the IFF has secured for showings. “It’s very cool that my film is going to be playing at the Brattle,” she says. “As a VES student, the Brattle is like this little oasis, the antidote to the multiplex...

Author: By Douglas G. Mulliken, CRIMSON STAFF WRITER | Title: Independent Film Festival Opens in Boston For Second Year | 4/30/2004 | See Source »

...shaped stage, which supported a 40-foot long runway and a 48-foot wide mainstage. A more substantial budget also brought in companies such as East Coast Lighting to coordinate the complex light show and expand the creative boundaries of the show’s visual aspect...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Tenth Annual Eleganza Turns Heads on the Runway | 4/30/2004 | See Source »

...producers also hired Indigo Design Group to incorporate computer generated graphics onto the screen during the live show. Both the visual effects coordinator and the light board operator would be playing live, listening for the music cued up by Matthew T. O’Malley ’04, who utilized the same sequencing program used by Versace and Dolce & Gabbana in sequencing their music...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Tenth Annual Eleganza Turns Heads on the Runway | 4/30/2004 | See Source »

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