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...side of this romantic narrative. Still, while the publicity materials emphasized the edgier aspects of the plot, the parts that were cut from more conventional productions, this version is actually quite traditional in terms of its content. Few changes seem to have been made to the script, and the visual aspects of the show—the costumes, the set design, the choreography—remain true to the story’s original tone...

Author: By ABIGAIL B. LIND, CRIMSON STAFF WRITER | Title: Walker's "Grease" Helps an Old Favorite Run Smoothly | 12/7/2009 | See Source »

...need protective laws and an understanding community,” Barrios said, addressing a gathering of two dozen at the event held at an AIDS activism visual media exhibition. “Right now, not all of us feel comfortable enough to come...

Author: By Gautam S. Kumar, CONTRIBUTING WRITER | Title: Barrios Speaks on Anti-Homophobia Activism | 12/4/2009 | See Source »

...America’s most important filmmakers, and the better part of that same decade shaking the good will earned by the films that gave him his reputation. Anderson’s characters—idiosyncratic, often emotionally opaque and depressive—inhabit worlds whose visual splendor assumes the sentiment, both delicate and deliberate, of an auteur—his awareness of the history of cinema giving way to reverence and innovation in equal parts. His films identify with a generation still in turmoil over lost innocence and the transition between adolescence and adulthood. He crystallized that ethos...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...recent years, and “Fantastic Mr. Fox” anticipates an audience ready to take the film on its own terms. But in the spectrum between the aestheticized nostalgia of Spike Jonze’ “Where the Wild Things Are” and the ambitious visual and emotional scope of the latest releases from Pixar Studios, the film feels slightly ill at ease. By any standard other than its source material, “Fantastic Mr. Fox” is not a kids’ movie. The dialogue is packed with ironic jokes and self-referential...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

Many critics hailed French-language film “Caché” as a masterpiece of suspense cinema—a still from the film of Juliette Binoche and her onscreen husband Daniel Auteuil lovingly adorns the textbook foisted on all students taking Visual and Environmental Studies 70: “The Art of Film.” I have a theory, however, that those who praised the movie were simply trying to mask their incomprehension at the never-ending shots of the same nondescript house. Not that it’s their fault; it?...

Author: By Rachel A. Burns, Jeffrey W. Feldman, Ama R. Francis, Jessica R. Henderson, Joshua J. Kearney, Eunice Y. Kim, Chris R. Kingston, Ali R. Leskowitz, Beryl C.D. Lipton, Monica S. Liu, Ryan J. Meehan, Antonia M.R. Peacocke, Erika P. Pierson, Bram A. Strochlic, Mark A. VanMiddlesworth, and Denise J. Xu, CRIMSON STAFF WRITERS | Title: Editor's Picks 2009 | 12/4/2009 | See Source »

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