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...Sparrow (Johnny Depp). As it glides shoreward, the ship is taking on water and has nearly sunk by the time it reaches land--allowing Jack to step lithely, blithely and with Astaire timing from the crow's nest onto the Port Royal dock. This little scene, reminiscent of a visual gag in a Buster Keaton silent comedy, comes at the start of Pirates of the Caribbean: The Curse of the Black Pearl, cuing audiences to the suspense, grace and fun of the next two hours...

Author: /time Magazine | Title: A Rollickingly Entertaining Ride | 7/14/2003 | See Source »

...sole justification for our existence as artists," he once wrote, "superfluous and egotistic as we are, is to confront people with the image of their destiny." But first, where to find a visual language commensurate with the horrors seen and the ones to come? Even before the war, the Cubism of Picasso and Braque had been of little interest to him. But by 1914 Beckmann was a medical orderly in the trenches of Flanders. The Belgian front, where he suffered a severe nervous breakdown, would show him fractured form with a vengeance. Especially after the raw meat and blasted earth...

Author: /time Magazine | Title: Art: The German Question | 7/14/2003 | See Source »

...Rice." An allegorical fantasy about lost friendships that featured cute talking animals and oddball characters, fans of "Chunky Rice" will be surprised at the change in Thompson's approach. No longer allegorical, "Blankets" is grounded in autobiographical reality. Yet "Blankets" has the thematic sophistication, emotional sweep and beauty of (visual) language that mark the best novels of any kind...

Author: /time Magazine | Title: Curl up with a Great Book | 7/11/2003 | See Source »

Halpern cites Walker Evans and Professor of Visual and Environmental Studies Chris Killip, under whom he served as a teaching fellow, as additional photographic inspirations...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Show Turns Lens on Harvard Staff | 7/11/2003 | See Source »

...2F2F Singleton makes some nifty use of computer-generated (CG) wizardry, as when the camera zips at Mach speed through the workings of a chromed-up engine. But he insists on the visual veracity of real stuntmen putting their pride and lives on the line. "You want to keep a sense of danger," he says. "If you don't have that, there's no point in doing it." Director F. Gary Gray, whose Italian Job is an update of a 1969 caper, says he strove for "a retro, fresh approach. I wanted to be able to communicate the danger...

Author: /time Magazine | Title: Summer Of Vroooom | 6/16/2003 | See Source »

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