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Writing seems a fairly poor method for relating a memoir. For most of us, memories exist as visual experiences. As such, a more exact duplication of memory would require the use of a visual medium. Movies, obviously, would be one way, though cost and production are prohibitive. But painting and other static visual media have limited narrative possibilities. Comix therefore, offer the perfect vehicle for memoir, being not only inexpensive, but combining both the visual and narrative components essential to conjuring up the past. Two recent books, one about growing up with a disabled brother, the other about living through...

Author: /time Magazine | Title: I Can See It Now | 1/17/2003 | See Source »

...Gorilla explains that while everything outside David's head is splintered, "Inside it's as tidy and rich as Fort Knox." At the end, in a sad twist the final panel shows Gorilla behind bars with David, calling him, "the best roommate a fella could want." This sort of visual editorial is what separates comix memoir from prose. But while Paul Karasik does a nice enough job of relating his brother's illness, his approach seems conservative compared to last year's intensely ambitious and beautiful "Epileptic," by David B. Also a memoir about a brother's mental illness, "Epileptic...

Author: /time Magazine | Title: I Can See It Now | 1/17/2003 | See Source »

...Written in a visual language that would otherwise have taken up thousands of words of prose, comix allow not only for a more efficient and less expensive approach to memoir, but a richer one as well. "Ride Together" and "Tuesday" are just two fine examples of this arguably superior method of relating personal history...

Author: /time Magazine | Title: I Can See It Now | 1/17/2003 | See Source »

...part installation—“Temple” at the Carpenter Center for the Visual Arts and “Three Pilgrimages” at the Mather House Three Columns Gallery—is amazingly serene and seemingly incapable of ever needing to be quieted down...

Author: By Brian D. Goldstein, CRIMSON STAFF WRITER | Title: Senior's Silent Meditation Space Makes Some Noise | 1/10/2003 | See Source »

...submissions to the Sundance Film Festival by aspiring independent filmmakers who worship Tarantino, respect Renoir and can recite the manifesto of Dogma 95, only a handful made the final cut—including a documentary by Harvard Visual and Environmental Studies lecturer Robb Moss...

Author: By Ben B. Chung, CONTRIBUTING WRITER | Title: VES Lecturer’s Film Screens at Sundance | 1/10/2003 | See Source »

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