Word: visualizers
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...gets dropped into an alien environment and has to find its way back home, learning lessons of friendship, confidence and self-reliance en route. (It's also the premise of 140,000 other movies about animals, kids or hobbits.) Bolt fits this familiar mold without looking moldy. Its visual style is unpretentiously attractive, with a limber graphic line, and there's little showboating in the design or the dialogue. Directors Chris Williams and Byron Howard are perfectly pleased to have labored in the service of that humblest of genres, the dog cartoon. (See TIME's top 10 dog movies...
...setting. “The silence of the play,” Chan said, “is a gift from Beckett. It’s a gift of space of silence that we can fill.”The idea of emptiness runs through Chan’s visual work. In “5th Light,” one of Chan’s “easy” pieces, shadows projected on the floor float in a triangle of light. Like the bare text of “Godot,” the shadows allow...
...premiere on the stage of the New College Theatre. The partnership has been a unique opportunity for collaboration across artistic disciplines. “One thing that I regretted at Harvard was that the music people are sort of over here and then over there are the literary, visual people and they don’t interact that much,” says Mendez, who began working on his composition over the summer. “It makes me happy that I’m getting to collaborate outside of the musical world.” Koch and Mendez?...
...Weber said. His book is the “first to approach Le Corbusier in a narrative that goes through his life,” he told community members last night. The book signing, organized by Random House Publishers, Harvard Book Store, and the Department of Visual and Environmental Studies, was an opportunity for art enthusiasts to hear more about the architect. Weber said he moved to Paris specifically to study Le Corbusier’s personal letters to his mother and friend. “You get to know the person, not judge them,” Weber said...
...drawing as she moves on all fours. The Remis Auditorium at the Museum of Fine Arts falls silent as the contemporary dancer stops talking about her choreography for the opera “Carmen” and turns towards the image of herself defying countless classical definitions of visual art and dance. “I nabbed the gloves from intensive care at Fort Myers hospital,” she told the audience conspiratorially. Brown—who spoke last Wednesday and Thursday evenings at the MFA—pilfered them while visiting friend, ally, and artist Robert...