Word: visualizers
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International interest in China's contemporary visual arts has hit exuberant heights, which makes the relative international ignorance of contemporary Chinese literature more conspicuous. Contemporary Chinese writing remains woefully undertranslated in English. Expectations for a translation boom, created when émigré Chinese writer Gao Xingjian won the Nobel Prize for Literature in 2000, remain unfulfilled. So what is an ambitious Chinese writer who desires to reach an international audience to do? The 35-year-old Xiaolu Guo has taken matters into her own hands by writing in English. As a novelist who is equally at home as a filmmaker...
...begins to write screenplays of her own. One of them, nestled like a matryoshka doll into the novel itself, is about an ignorant but good-hearted rural immigrant to Beijing who works as a street vendor. The structure of the novel itself resembles a screenplay, told in highly visual prose broken into a series of short chapters. The Beijing Olympics brought viewers images of the city's monumental new architecture. But Guo gives us the insider vantage - the cramped one-room apartments, the cockroaches...
...support that nurtures rather than constricts the artist’s freedom—by public and private institutions in a discussion of her new book last night at the Harvard Book Store. Garber—a world-renowned expert on Shakespeare, chair of the Department of Visual and Environmental Studies and director of the Carpenter Center for the Visual Arts—discussed the paradox of patronizing the arts, namely how benefactors can potentially stifle the creative freedom of artists. To a small audience, Garber said, “The arts are doubly patronized: we are supporting artists...
...impossibility—and therefore embraces the inevitability that both textual and non-textual images will have vastly dissimilar impressions on viewers of different tongues and backgrounds. The unfortunate and unfair byproduct of not being born in an English-speaking country is that one cannot naturally create visual art using the ‘cultura franca’ of the day. China may have been blocked off during the Beatles, not have been there for New Realism, and then prevented from being part of Pop Art, but that doesn’t mean that they cannot relate to us without...
...Machiavellian manipulation of the boy’s talent and love. Instead of expanding the idea of Andy Warhol as an icon, Robinson delves into the personal, human interactions that the Factory ultimately thrived on but which were often overshadowed by Warhol.Williams spent time at Harvard, honing both his visual sensitivity as a member of The Harvard Crimson photography staff and—as Robinson speculates—his appreciation for drugs as a possible test subject in Dr. Timothy Leary’s psychedelic drug experiments. However, the issue of sexuality made it difficult for him to enjoy...