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Since then, donations of rejected food have enabled the children to eat in addition to their studies, but resources remain scarce in the orphanage and school, as Visual and Environmental Studies Teaching Fellow Randy Bell ’00 and Pacho Velez ’02 discovered when they spent six weeks there shooting a documentary about the home. According to the directors, they hope to show that AIDS is “not only a medical crisis but also a socio-cultural one that threatens to create a generation of children without parents...

Author: By Irin Carmon, CONTRIBUTING WRITER | Title: A 'Good' Man Can Be Hard to Find | 11/16/2001 | See Source »

Beyond meticulous organization, the PSLM was conscious from the outset of the other factors conspiring to raise their media prominence into the stratosphere. Bartley concedes that there “was a definite visual intensity of the image which we didn’t even need to choregraph,” this photogenic nature of the strike stemming in no small part from the mystique of Harvard itself. But, across from the omniscient eye of John Harvard, the students realised that Harvard’s hallowed name was both a boon and a burden for their cause...

Author: By Amelia E. Lester, CRIMSON STAFF WRITER | Title: The New Face of Student Activism | 11/15/2001 | See Source »

...want to blink. 24 (Fox, Tuesdays, 9 p.m. E.T.) is the most distinctive, addictive new TV series this season. As an old-fashioned thriller, it's relentless, tense and deliciously paranoiac, with more twists than a Twizzler. But it's also boldly different. Most notably, there's its clever visual signature: picture-in-picture screens that show two, three and even four different scenes simultaneously. Director and executive producer Stephen Hopkins first used the device to handle the show's many phone calls, but it proved the perfect way to emphasize the concurrent story lines. "There is something going...

Author: /time Magazine | Title: Television: The Time Of Their Lives | 11/12/2001 | See Source »

...park, with no dialogue at all. His movies don't explain, they make the audience work for meaning. Though critics sometimes accuse him of pointing a camera at nothing, he clearly knows how to create something from the void. What Time Is It There?, his seventh film, is a visual feast on love, death and loneliness...

Author: /time Magazine | Title: Stop Watch | 11/11/2001 | See Source »

Though the set is sparse and the scenery simple, the play’s impact is in no way compromised. The only exit for escape, a barred and locked window, is sufficiently emphasized and the stark visual look even enhances the patients’ sense of helpless solitude...

Author: By Sarah L. Solorzano, CONTRIBUTING WRITER | Title: Cuckoo Soars in Leverett | 11/9/2001 | See Source »

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